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CameronUnlonelyToken

Uniswap V3

"Public Art" is a generative art piece with a concept of exploring new histories in art. As demonstrated in [0xhaiku's previous work, "Receipt,"](https://slbls.art/receipt) the transaction information engraved on receipts suggests that new art finds value in the record of transactions, connecting you to the art. In this work, a color palette inspired by Vermeer, Hokusai and others is used to generate tiles with a generative oil painting-like touch. This symbolizes history, expressing the hope that new art will truly become "public" through the changes and transitions of history.

Tiles
The tiles are simulated based on inspiration from the actual streets of Omotesando in Tokyo. The color palette incorporates colors inspired by the floors in Vermeer's paintings, ukiyo-e, and others. The oil painting-like strokes are generated using generative techniques, giving each tile its unique charm.

2D Canvas
This work is drawn using only a 2D canvas, without the use of libraries. 3D representation is not utilized. Since 0xhaiku's previous work "Receipt," they have been fascinated by the allure of wrinkles and shadows, and "Public Art" serves as a study in creating the illusion of three-dimensionality on flat surfaces using generative noise.

Receipt
The receipt includes information on the Seed generated by ArtBlocksEngine at the time of the transaction, as well as token-specific elements. At the BrightMoment event in Japan, physical receipts with similar information printed on them will be distributed. 0xhaiku values the idea that everyone can participate in new art without relying on authority and has chosen the motif of everyday street receipts.

Twitter
[https://twitter.com/0xhaiku](https://twitter.com/0xhaiku)

Public Art #82

1. It’s happening now
2. It’ll happen fast
3. You'll like it, I promise
4. For real though, trust me
5. Eat the #kiwi

Hyperkiwification 47

CryptoTokyoites are the seventh edition in the CryptoCitizens collection, an ongoing generative portrait series based on real people from communities around the world. Holders of CryptoCitizens are members of the Bright Moments DAO.

CryptoTokyoite #818

INFINITE | 無限 invites an exploration of the dichotomy between vastness and singularity, encapsulating the essence of spatial and dimensional dynamics. Moving from clearly delineated boundaries of color and shape to more nebulous and subjective, like the edges of a thought or feeling. It is an allusion to the ever-expanding nature of our universe, the inconceivable borders that define our cosmic reality.

The project alludes to the exploration of the minutiae, the absolute singular, the elemental. It invites us to broaden our perceptions of both the physical and metaphysical dimensions, as well as our understanding of the world and our place within it. The AI model, once trained, endlessly produces new visuals. The metaphorical ebb and flow of these AI-generated images, their birth, and their subsequent journey into the universe, encourage a meditative state, as if taking part in a digital transcendental journey into the heart of the cosmos.

Visuals are created with Javascript code and custom GAN model, trained by artist. Outputs are generated live with model and code hosted on Blockchain/IPFS.
Training data of the artist’s custom AI model includes paint close ups, abstract photographs and original images by ESA/Hubble (esahubble.org)

Ivona Tau
2023

INFINITE | 無限 #46

unlonely

'translucent panes' is an experimental p5.js project utilising mathematical randomness as a basis for abstract generative art creation. Similar to my 'blocccles' project, the core aesthetic is centred on colour blending & simple geometry.

The program starts by randomly selecting a divisor of the canvas width & height and forming a grid of rectangles. There is then an 80% chance that these rectangles will be rotated by a randomly selected angle ranging from -180 to 180 degrees. The shape is then either assigned a solid fill colour or is rendered empty with a border width of 1 to 5 pixels.

Spicing up the outputs is a selection of 14 palettes, each holding 2 to 8 colours for the algorithm to pick from. There is a 30% chance of an output having a dark background, and 7 of 14 palettes are limited to lighter backgrounds.

During development I came across a bug which meant rectangles would render taller than anticipated, I liked it, so I kept it in. The extra shapes round the project up nicely as they collide with each other leaving a beautiful mix of colours and geometry. For fun, I also added a 40% probability of circles showing in the output.

I hope you enjoy it as much as I did making it.

fingacode, 30 june 2022

__Note: this is an open-edition presented by Bright Moments IRL during the month of July. At the end of the month, minting will conclude and the final collection size will be fixed to the number of mints executed by visitors of 13 Soho Square and 18 Albemarle in London.__

"Rubicon" is the imaginary gate that awaits us after our journey, a portal that moves continuously for a state of self-reflection before opening and letting us through. 

What awaits us on the other side? Will it be something good? We don't know; perhaps there's nothing, perhaps there's something, but what's certain is that we can't stay any longer where we stand and must cross to the other side despite the aftermath.

In life, we're used to living with dilemmas we don't like to face, even when they destroy us. And it's not until we decide to cross the line that our situations change. There's no turning back, just moving forward — as Julius Caesar knew when crossing the Rubicon river. 

_Will you cross that line?_

Limn resembles a rough sketch. It is composed of both regular and irregular shapes, combining precise and imperfect elements. The rough outlines and figures imply movement and energy as well as a sense of exploration, as if the piece is still in the process of being created.

By default, browsers stretch and interpolate pixels of low-resolution images into blurred colors. Cage is a study of this flux between the browser and how it interpolates images and color. Layers of these stretched pixels fit your screen to make a cage of light, blending grids of color onto a canvas. Cage paints the screen with variations of six web colors (blue, orange-red, green, magenta, violet, and yellow) to create new interactions made possible only by this resolution play.

Intricada means ‘interlaced’ in Old Occitan, a Romance language spoken in the south of France. This project explores the balance between emergence and control.

**Emergence**
Intricada is created with autonomous agents drawing very small dots and following simple rules, positioned according to geometrical patterns. I’ve designed Intricada like a simulation, giving initial conditions and see what comes out of it. Each piece is the result of thousands of unpredictable consequences.

**Variation**
This collection includes a very large number of possible variations. Some properties are specific to the agents and allow to define their rules, colors, number of children, angle… Many parameters influence the initial position and direction of the agents, palettes… Each combinaison creates a very unique output.

**From far and near**
From a distance, an Intricada piece may look like intersecting circles, geometric patterns, confetti, a perspective design... When you get closer, you can see that these shapes are composed of multitudes of agent trajectories. Finally, if we get even closer, we can see that these trajectories are composed of points (several hundreds of thousands per output).

**Interaction**
In live mode:
- Press [s] to save an image to disk
- Press [n] to toggle noise
- Add `&size=#` to the end of the live view URL to render a variation of your edition at another resolution

#### Who am I?
#### Am I a series of pixels? Someone's creation? Or a product of nature's endless waves like you?
&nbsp;
imma, Japan's first virtual human, creates her first generative artwork "immprint" for Bright Moments. 
Created in collaboration with creative coder Misaki Nakano, "immprint" explores the topic of imma's virtual identity. 
What does identity mean to a virtual human?
Using an original algorithm inspired by the Jacobi method used in Stable Fluids, the work examines the theme of the body as data and references motifs from brain scans to finger prints. 
"immprint" explores imma's own story: how she gained life from the pixels on our screen to her current existence that allows her to move between the virtual and physical worlds. 
&nbsp;
###### About the collaborators:
###### imma
imma is Japan’s first virtual human. Easily identifiable by her signature pink bob, when she first appeared on social media in 2018, she shocked audiences as they were not easily able to tell if she was virtual or real. Always collaborating with top artists and brands, her realness and authenticity in a world of unreal social media cemented her status as an exciting new voice for the future. imma is Asia’s No.1 most influential virtual human and her actions have led to her being selected one of the Women of the Year 2020 by Forbes Women published by Forbes Poland and star in the Tokyo 2020 Paralympics closing ceremony. This is her first generative art project. 
[Instagram](https://www.instagram.com/imma.gram/) /  [Twitter (JP) ](https://twitter.com/imma__jp) / [Twitter  (EN) ](https://twitter.com/imma__en) / [Discord](https://discord.com/invite/ktHMAwkZ3D)  / [Opensea](https://opensea.io/imma) 

###### Misaki Nakano
Misaki Nakano is a programmer and designer who creates visual arts with WebGL and develops interactive contents. She is also involved in R&D for webXR and physics simulations.
 [Twitter(EN)](https://twitter.com/misaki_mofu) / [Twitter(JP)](https://twitter.com/misaki_mofujp)

You are a WITCH without borders or bindings. You sew your own clothes from spider silk and moonbeams. Your magic spawns from vitamin D. You use mirrors as crystal balls. ASCEND!

this is an NFC (non-fungible clip) highlight from an unlonely livestream

0eggs.eth

$4,957.50

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