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The Decagon is the infinitely evolving, always unique, and eternally open membership token of the Decaverse. Designed by Kjetil Golid.

Decagon #260

**Gumbo** is, as its name suggests, about simple ingredients coming together, emerging into a stew greater than the sum of its parts.

Early in the development, mindful of my tendency to overengineer, I decided to work under a set of constraints:

1. Approach any problem from a position of complete ignorance and try to find the simplest way to solve it.
2. Make the most with as little as possible and avoid introducing complexity unless absolutely necessary.
3. Accept that intuition often falls short in predicting the best way forward (*especially* when creating generative art), and entertain any idea that presents itself.

Staying mostly within the confines set by these rules, the development of Gumbo ended up taking me on many unexpected journeys.

At its core, Gumbo explores the diversity of form that can be achieved by combining simple shapes, such as spheres, donuts, boxes, and cylinders. Despite the basic components, the final arrangements are strangely familiar, some reminiscent of space stations, others of internal organs. By painting these structural canvases in an indiscriminate fashion, an intricate interplay between colour and form arises, emphasizing the spatial nature that underlies both. Texture, a subject I deeply appreciate, stars as the main character of Gumbo, celebrated both as a reference to the material world, and, especially, as something with uniquely digital characteristics. Present throughout the project, it is primarily used to illuminate the structures and add life to otherwise flat blocks of colour.

While working on Gumbo, I've found inspiration from a diverse set of sources, ranging from the vibrant and captivating colours of Cold War-era propaganda posters and Japanese ukiyo-e to the texture-heavy work of artists like Virgil Finlay and Bruce Conner. In addition, Gumbo utilises a rendering approach that can be described as a digital equivalent of physical methods like silkscreen and woodblock printing, a connection that was not recognised until the project's later stages.

**Note**: Gumbo requires WebGL2 and is computationally expensive to render. Older devices will probably struggle!
To save a high-resolution render, press "p" while in live mode and enter the desired size (or add "?resolution=your-size-here" to the end of the URL). Once finished, the image will download automatically.

Gumbo #303

**Trichro-matic** meditates on perception.

As you explore the piece, your perception of the structure shifts. Elements change their relationships - what is out turns in; what is flat deepens. What stood adjacent now occludes.

The piece uses rhythmic color and form, displacement, and juxtaposition to create structures that invite interpretation and exploration. Some outputs challenge our depth perception conventions, while others manipulate explicit structural cues and emphasize intentional imperfections.

From this concept, the piece gets its name - Trichro-matic - denoting the ability to perceive using all three primary colors. The hyphenated "o-matic" denotes fictional machinery, hinting at the generative system supporting the piece. Both hand-selected and algorithmically-generated color palettes feature, with the latter aiming to elicit emotions akin to the former.

When you explore an output from different starting points, you understand the elements' relationships differently. In these changing interpretations, no answer is definitive. Each perspective, whether your first, your last, or someone else's, is valid.

Prints will be available for Trichro-matic owners. For more details, visit [this link](https://www.mountvitruvius.art).

Note: Renders might take longer on lower-end or mobile devices. This piece is my most technically complex release to date, relying on a custom GPU render process which can demand significant resources, even if outputs appear simple.

Finally, I dedicate this piece to my father, who suffered vision loss from a stroke in September 2023.

Trichro-matic #156

When I started using a computer, I believed that digital data could be stored forever. I saved my favorite picture files and small free software files to floppy disks with a capacity of roughly 1 megabyte and stored them carefully. Those floppy disks were my treasure. Later, when the disks deteriorated and became unreadable or were lost, the data became memories with a deep feeling of loss.

Blockchains have arisen. Are these truly persistent?

After all, digital data are also a type of memories. They are stored in a person's mind, deteriorate, and one day will be lost with that person.

I find the fragility and beauty in them.
　





　
In this work, I attempted to represent a fictional collapsed blockchain world with visuals and sound.
　
The chain has already been abandoned, and the few nodes that remain barely alive are just maintaining their appearances. Visualizing the remnants of blocks that no longer serve their original purpose, they form something like a submerged city. Then, a large amount of data that has lost its connection to the blocks and has deteriorated to the point that it can no longer be opened, flutters through the sky. The countless remnants of data form a cloud, which undulates like a wave. The details of the data cannot be confirmed, however, they can be seen as glittering lights. As I try to recall the contents of the data that can no longer be opened, I am filled with vague memories and a sense of nostalgia.

This work started with generating sound by code. The sound of rippling waves can be heard by clicking on the screen. Since it would be impractical to store huge sound data on the blockchain, the sound was formed from white noise. In order to reproduce the sound of rippling waves, it was necessary to deepen my understanding of the structure of the sound by referring to academic papers. Then the sound was completed, and the visual imagination expanded from there.

I like to visit the sea near my home and in other places. Different seascapes can be seen from different locations and angles. When I am there, idly gazing at the seascape and listening to the sound of the waves, I sometimes feel as if I am the only human there and the world has gone to ruin. If the world were ruined, this seascape and the sound of the waves would remain for a long time. This feeling and the fragility felt in digital data are the basis of this work. I imagine that the heaven or the graveyard where the lost data flies up in the sky and arrives may be a seascape like this.

The reason why I used data as lights and clouds drifting in the sky and moved them like waves is because I wanted to depict unrealistic behavior with a realistic subject matter and to express a beautiful and bizarre world in which these intertwine.

For the visual expression technique, I further pursued and evolved the drawing system that I have developed in "GHOST IN THE CODE" and my other works. Everything is composed of rectangles, indicating that this world is beginning to become low-resolution. Depth is linked to the size of the rectangles, and distant objects are represented by small rectangles as if they were in focus. Dispersion in the position and color of the rectangles indicate the degree of deterioration of the world. Moreover, the sky, blocks, and the surface of the water are identified and each has its own characteristics.

Algorithms generate various compositions, colors, and other features. I have attempted to make each output feel nostalgic and fresh at the same time. The blocks, which have lost their original meaning, are contrasted with the data, which exists in isolation from them, in stillness and movement. Occasional red clouds or blocks mean that they are corrected as red, the first color, due to missing information.

Through these integrations, I have attempted to create a work that can be stored on a blockchain, and that is both visually and sonically interactive.

[NOTE]

-To save the image press the 'S' key.
-To change the flow velocity press the '↑' or '↓' key.

Modern hardware and browser hardware acceleration is recommended. The Chrome browser on a desktop with a high-end GPU is optimal. On iOS, the best experience is available on iOS 15 or later.

Memories of Digital Data #200

*“History doesn’t repeat itself, but it often rhymes.” - Mark Twain*

In our day-to-day lives, it’s natural for us to fix a conceptual view of the people, places, and things around us in our minds. We might think, “that is the tree outside my window. This is my house. That’s my friend. I’m me.” In fact, this type of abstraction is necessary for us to make any sort of sense of our world. But is the tree outside your window today truly the same tree as it was yesterday? Are you exactly the same person as you were yesterday? Or twenty years ago? In a sense, the abstraction is an illusion. Our physical reality is inseparable from the flow of time; everything is changing, all the time. Sometimes the changes are fast, and sometimes they’re imperceptible — but time never stops. Change never stops.

__*because unless until*__ represents this concept in art, as a generative system of systems where each output changes over time. New days present new views of the algorithm, where a variety of mathematical shapes gradually and endlessly shift, demonstrating a more local and immediate form of change. Even so, each day’s appearance has enough in common with the one before it to provide the output with a continuous sense of identity. With the arrival of each day, what about the art has changed -- and what remains the same?


Changing Over Time
-

One of my favorite aspects of generative art is the joy of discovery when viewing a new output for the first time. I also enjoy the novelty that comes with watching a chaotic system evolve over time. But, once you’ve seen a particular output from a long-form generative art collection, you’ve seen it. My intent, with the time-based mechanics in this algorithm, is to preserve that feeling of discovery so that every viewing and every day brings something new. 

In __*because unless until*__ colors are applied differently depending on the day of the week. The detail level of the animation changes over the course of a month, providing a different visual balance between the shapes, and the textures that fill them. Each month, the animation’s shapes are altered. The weave of these different cycles mean that each day has its own characteristics. It would take at least seven years to see every available combination.

Some outputs come with “Daily Modes” tied to a specific day of the week, where colors and textures are altered in a particular way. Each output also comes with a "Fiesta Day" -- one day of the year where it shows a set of new behaviors. One day in December is designated as “Glitchmas” — a holiday shared across all outputs with another unique behavior. Glitchmas falls on a different day each year.


Animation
-

The algorithm works by layering multiple animations, whose intersections are used to divide the canvas into regions that determine the palettes and rules for a section of the output. The rules are applied to an underlying field of cellular automata, which change state accordingly. At the core of the project is a generic framework that runs arbitrary animations in their own threads. The threading enables performant, fluid motion (I find it sensuous -- I often find myself thinking "I want to run my fingers through it.). Threads run asynchronously, which in combination with the chaotic behavior of cellular automata means that outputs evolve in a unique, non-deterministic way each time. After a few minutes, the canvas is likely to be in a state that will no-one will ever experience again.

The animations in __*because unless until*__ are a return to some of my favorite mathematical techniques from a prolific period (2010-11) when I was first beginning to make art: Mandelbrot and Julia fractals, isolines, polar inversions, spirals, regular and irregular polygons, and — of course — cellular automata. It’s been a joy to revisit them, and to combine them with my more recent animated practice. As the animations progress, a variety of emergent features sometimes appear — such as cloudlike trails, regular and irregular structures, and moiré.

There are dozens of cellular automaton rules in the algorithm, which can take the states of surrounding cells as input in one of over a hundred ways. Derived from these rules, there are over a thousand possible textures, and billions of ways that a cell might change depending on its rules, state, and surroundings. The states of cells in an area around each cell are used in one of 18 different ways to select from the palettes available in the output — each of which is an interpolated gradient containing hundreds of colors. The large number of possible combinations contribute to a diverse pool of possible appearances.


Help
-

Press **[H]** to open a set of interactive menus providing additional information about the available time-based features and interactive controls. The “Today” panel provides realtime information about which detail level or special day is currently active.

For collectors wanting a more concrete experience, a “Canonical” mode is available that makes the animation appear as it did at unix epoch (January 1, 1970), and a “Synchronous” mode is available that makes animations evolve in a deterministic way (at the cost of performance). These modes are used when generating the thumbnail animations for each output.

because unless until #649

LoVid’s signature video work mixes handmade analog synthesizers with digital tools in immersive Red, Green, and Blue (RGB) compositions that celebrate luminosity, chaos, relationships between craft and engineering, and connections between body and tech.
 
Tide Predictor, LoVid’s first onchain generative work, builds a bridge from video synthesizer patches to algorithmic code-derived imagery. This collection is formally and technically inspired by hardware-based image generation, and places experimental moving-image, circuit boards, and electrical signal-based video art at the conceptual roots of generative art.

Tide Predictor is a modular video synthesizer patch model, designed to reflect the analog spirit by working with three channels: RGB. Tide Predictor reimagines NTSC-encoded, oscillator driven electrical current based video synthesis while adding digital randomness/unpredictability, and transformations based on code, along with each mint’s unique content.
 
In the late 19th century, mechanical analog computers used rhythm and repetition to anticipate the rise and fall of water levels. In addition to “tides”, which are low frequency oscillations of the ocean, higher frequency changes or “waves” are frequently discussed in reference to both water and electrical signals. By working with looping - and explicitly addressing the period (=1/frequency) for each RGB color - Tide Predictor extends analogies between the flow of water and the flow of electricity.

LoVid’s Tide Predictor brings these relationships from the blockchain, through your screen, straight to your retina!

Tide Predictor #369

Blur

TABZ #4003

Torrent is about being washed away but not lost.

Inspired by residual evidence of torrential downpours, floods and derailed rivers as well as thrown paint and ink, cathartically applied for the purpose of merely having watched it land, streak, smear and drip; just to leave a mark.

Textures of fabric, concrete, paper and marble fused by a tempest... now desiccated and faded, bleached and marred by debris washed on after exposing moments of life. Moments lost; etched incomplete into the landscape.

A nostalgic and possibly misguided love song fusing frantic rhythmic action, erosion and history in a way only time can compose after the violence has long ceased and we are left to excavate the damage and beauty of what can't be harnessed, only experienced or interpreted after the fact, even if any resulting conclusions are fictions filled with contradiction.

Less about truth, more about just having a story that we believe makes sense of it all. Rarely are things black and white.

Torrent is about coming to terms with the past so we can understand the present and navigate the future. In a sense, we're talking about trauma processing, the imperfection of memory and how history changes with time and reflection.

Torrent was created using p5js and a shader. Make sure your GPU is enabled.

**Key Commands:**
S : Save the current frame as a png
P : Play/Pause animation
A : Advance a frame
Z : Go back a frame
F : Speed up animation
D : Slow down animation

**URL Parameters:**
?fullscreen=true : Fill entire window
?animated=true : Animate by default
?width=x : Render image with x width (read notes below)
?print=true : Use with "width" to render larger than 5000px wide
?frame=x : Start at frame x
?speed=x : Start at speed x, default is 10, 1 is fastest, higher numbers are slower

See display notes or website for more discussion on rendering high resolution images for printing.

Torrent #115

Reservoir

Torrent #145

*FAKE IT TILL YOU MAKE IT* borrows from the bubbly language and pastel aesthetics of text driven instagram graphics to scrutinize the promotion of wellness, self-care, and confidence on social media.

The piece concentrates on the rhetoric employed in these posts. Persuasive, upbeat, and relentlessly inspirational, there’s a sense of authority embedded in each one. By remixing words and phrases sourced from these types of existing instagram posts, the program generates combinations that mimic their cheerful tone, but range from feeling vaguely familiar to totally absurd. 

Text is wrapped in the sugar cookie aesthetic world of “girl power positive vibes boss babe” kind of media, imitating the graphics designed to catch your eye as you’re scrolling through your feed. Visual variables include the output’s background style, color palette, and layout, as well as other decorative elements such as stars ✹, hearts ♡, flowers ✿, and sparkles ✧ :D

Online, these media objects survive on likes, comments, and shares. *What do I believe?* becomes *What do I want to appear to believe?* Fake it till you make it! Maybe your dream life lives here: In a digital, fantasy world where the algorithm plays god and loving yourself feels like looking into the light of your screen.

ଘ(੭ˊᵕˋ)੭* ੈ✩‧₊♡ ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ: ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ: *✧･ﾟ:*ﾟ✧･ﾟ

FAKE IT TILL YOU MAKE IT #281

Since founding Art Blocks in 2020, artist Erick Calderon (a.k.a. Snowfro) has been intrigued by the idea of representing digital artwork in the physical world in the form of an ephemeral physical object with meaning, but with no inherent value. 

Donald Judd has long been an inspiration for Art Blocks. One aspect we admire most about Judd’s artistic practice is the elegance of design he effortlessly paired with the accessibility of materials that could be found at a hardware store. With Judd as inspiration, we hatched a plan to create a unique generative art friendship bracelet that includes instructions to make, in minutes, a simple bracelet using a few dollars’ worth of embroidery floss. Donald Judd believed that what surrounds us in our day-to-day life is already so beautiful, and that ultimately the experience of creating art is as important as owning it.

Erick was incredibly excited to collaborate with renowned artist Alexis André (a.k.a. MacTuitui) to bring generative art and ephemeral physical objects together in the form of friendship bracelets. Conceptualized by Erick and aesthetically and programmatically designed by Alexis, this project pairs creative coding with a beautiful spectrum of embroidery floss colors. The project was a true team effort, as each member of the Art Blocks team designed and named their own color palette!

The project is a token of our appreciation to the creators, makers, builders, and collectors who have all contributed to making the Art Blocks community what it is today. Participating in this project is a signal, both online and IRL, that you’re a participant in this evolution of art + community. You are pushing the best ideas forward. You are the reason all of these imaginative projects come to life. Our community is what makes all of this possible. So, to say it plainly, we appreciate you, and we hope that you’ll accept this bracelet as a token of our special friendship!

The owner of any wallet with an Art Blocks piece at the time of snapshot (October 26, 2022, at 3pm US Central time) is eligible to claim two mints from this special generative art project. We would love to see you keep one bracelet and share your love for generative art by gifting your second mint! These mints are free to claim (you pay only the gas) and exist on L1 Ethereum. Please note that we may in the future release additional modified iterations of the Friendship Bracelets project, ideally on an L2 scaling solution, that may substantially increase the total supply of tokens related to the project, with the intent of being a more accessible entry point to a larger audience. But this version is what we're here to celebrate today, and this gift is for you in gratitude for your support along the way. Please enjoy this token of our friendship and explore the wonderful artwork created by Alexis André. Then, let's all make bracelets together! 

Warmly,
Alexis + Erick + the Art Blocks team



The claim window expires on January 10, 2023, at noon US Central time.

Click into the Display Notes for information about making your bracelet.

Friendship Bracelets #3016

Torrent #67

Torrent #106

A soulbound NFT to commemorate the 1 year [Pudgy Penguins](https://www.pudgypenguins.space) anniversary and mark the beginning of Web3 identity innovation. If you hold truePengu Ice, you can get rewards in [truePengu](https://www.pudgypenguins.space).

The Runners. The most elite agency among the Tasty Bones. The Speedy Bones undergo rigorous training and wear enchanted speed suits that enable them to bend time and make food deliveries at incredible speed. With their help, the souls receive their food deliveries before turning into Hungry Ghosts.

The Fighters. After Funny Bones began to disappear, the Agency of the Meaty Bones formed as a defense against all threats. The Meaty Bones wear ancient armor and move in groups, patrolling Hungry Ghosts and other evil spirits attacking the Land of the Dead.

The Entertainers and the largest agency of the Tasty Bones. The Funny Bones may be slower than their various counterparts, but they’re blessed with a charming wit and jovial nature. They always make their food deliveries on time and keep their soul recipients satisfied.

[Flying Land Club](https://flyinglands.com) is a collection of 2222 NFTs generated on the Ethereum blockchain. Learn more [Here](https://flyinglands.com).

10,000 descendants of Kami who together determine the fate of Metakai. Fight-to-Earn utility, join the fight-> So visit https://ukiyoplayers.xyz to mint now!

[The Webaverse Genesis Pass](https://www.webaverse.space) is your toolkit for the open metaverse. The pass allows you to participate in The Upstreet, a collaborative MMO being built by [Webaverse](https://www.webaverse.space). Each pass will allow the holder to claim a parcel of land in The Upstreet in the near future, and will include its own lore and artifacts, along with future airdrops from the Webaverse team.

An interpretation of the Decal by Rata. A symbol of permissionless creativity. Series Eight.

Arcade Lands are digital properties in an interoperable metaverse that serves as your web3 home for all your NFTs. Land owners will get additional benefits within the Arcadeverse.

"Sweet Dreams to those who desire an intangible love"

Visual allegory depicting the contradictory coexistence between humanity and nature.

The complex layers surrounding a simplistic entity.

An interpretation of the Decal by Rich Caldwell. A symbol of permissionless creativity. Series Four.

An interpretation of the Decal by TJ Thorne. A symbol of permissionless creativity. Series Nine.

EY3K0N ANTH0L0GY is an interactive collection of stories from the virtual world of ELS3WH3R3. Have you taken your P1LL yet?

[AlphaBlocks](https://www.alphablocksnft.xyz) is an exclusive project with 555 supply that gives you access to a Node, Tool, tons of valuable WLs and a Game, for free.

AAAAAAUUUUGGGHHHH gobblins goblinns GOBLINNNNNNNNns wekm ta goblintown yoo sniksnakr DEJEN RATS oooooh rats are yummmz dis a NEFTEEE O GOBBLINGS on da BLOKCHIN wat? oh. crustybutt da goblinking say GEE EMMM DEDJEN RUTS an queenie saay HLLO SWEATIES ok dats all byeby

0xec87…b2f8

$1,570.08

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