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# eternity stirs
my finger stirred the pool. 
iridescent specks at this distance. 
molecules separated by infinities, 
attracted by a gentle gesture. 
matter built on reducible complexity, 
remarkable what emerges from the soup.

the specks of light flash for a moment, 
then flame out. 
the arc of their burning wick 
painting pictures; 
heating arguments;
bleeding in the darkness. 

helpless to start or stop anything, 
bodies in motion, 
tending to stay in motion,
until the fuel runs out.

# can there be beauty in pain?
Flora, Fauna, False gods & Floods continues a theme I began in Beauty in the Hurting. When turbulent acts of god subvert best-laid plans, is there beauty in the broken images of life we leave behind?

Left alone, these images would resolve to nearly symmetrical dreamlike ink blots of meaning:  a flower, a feathered creature, or a figure of worship. In fact, what is most beautiful in their image may lay outside the frame. 

The final resting frame in each composition does not paint the whole picture. You must go looking for it. Interact with each composition by following the controls below.

# **saving**
* **a key** - download transparent uncropped print
* **s key** - download print

# **controls**
* **f key** - toggle speed up / slow down at 5x speed
* **h key** - toggle speed up / slow down at 20x speed
* **r key** - reset the camera view
* **click/touch** - while rendering, toggles between full view and follow view, when finished, cycles through zoom levels
* **click/touch and drag** - change the cropping of the image
* **click/touch again after dragging** - restore the default image crop for the current zoom level

flora, fauna, false gods & floods #352

Wrapped Ether 

Blur

A doodley box of genesis edition wearables for Doodles 2, containing a rare assortment of apparel and accessories.

Genesis Box #11688

Genesis Box #16185

flora, fauna, false gods & floods #161

Genesis Box #4126

Genesis Box #19047

flora, fauna, false gods & floods #159

flora, fauna, false gods & floods #149

flora, fauna, false gods & floods #346

Tara Donovan’s first-ever NFT project, titled QWERTY, comprises 500 unique, generative works that meditate on the ways that type can function as a building block for creating pattern. Donovan, whose practice spans sculpture, installation, drawing, and printmaking, often explores the talismanic qualities of everyday materials and objects. The artist’s new NFT series is deeply engaged with her screen drawings, in which she moves, pinches, and cuts the wires of woven aluminum insect screen to extract patterns from existing grids, using a mathematical methodology to draw out the phenomenological potential of the material.

Each NFT in Donovan’s QWERTY series depicts rhythmic, mesmeric arrangements of a single, repeating letter or symbol represented on computer keyboards. The 26 letters and 30 symbols that make up the layered, gridded compositions of the QWERTY NFTs are rendered in varying degrees of legibility, striking a balance between recognizability and obscurity. These screen-based images take on the qualities of woven textiles, and they are the result of the artist’s meticulous pattern development, organization, and refinement, which she executed through algorithmic processes.

The first 56 individuals to mint QWERTY NFTs will each receive an archival pigment print of their NFT from the artist and Pace Verso. These works will be signed by Donovan. Complete terms and conditions will be available on Pace’s website before the project’s release on October 10.

Donovan’s QWERTY NFT project can be understood as an extension of the eponymous book she published in 2018, which features patterns the artist forged using characters from a 1930s typewriter. Both the digital and physical iterations of QWERTY reflect Donovan’s interest in surface depth and perspectival mutability. Her QWERTY NFTs shapeshift and transform depending on viewers’ position relative to their screens, bringing ghostly shapes and figurative elements into relief in the compositions’ interstitial spaces. The wide range of patterns in the QWERTY NFTs includes subtle, minimalist grids; architectural forms; psychedelic motifs; and optical illusions.

```
░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
  ___ _  _____ _   _  ___  __  __  ___  ___ ___ _  _ ___ 
 / __| |/ / __| | | |/ _ \|  \/  |/ _ \| _ \ _ \ || / __|
 \__ \ ' <| _|| |_| | (_) | |\/| | (_) |   /  _/ __ \__ \
 |___/_|\_\___|\___/ \___/|_|  |_|\___/|_|_\_| |_||_|___/

░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░

```

A skeuomorph is a derivative object that retains ornamental design cues from structures that were necessary in the original. They are used widely in architecture, product design, and perhaps most familiarly in user interfaces. Think: desktop icons like trash cans or notepads. SKEUOMORPHS is a meditation on this digital tradition. 

SKEUOMORPHS picks up where RASTER left off as an another exploration of the materiality of pixels and rasterized imagery. Here the study of pixels narrows in on the shallow depth of on-screen interfaces and the play of low-res figure-ground effects. Moments of skeuomorphism where the 2-dimensional plane of the screen becomes slightly 3-dimensional through beveling or drop-shadows are extracted and used as abstract painterly details. These elements that are typically used to make computation and interfaces more familiar become unfamiliar on the canvas, suggesting the possibility of an aesthetic between abstraction and realism.

SKEUOMORPHS employs recurring themes and techniques from my art practice: limited color palettes, low-res chunky pixels, dithering, and physics simulation. It uses a specific kind of dithering called R-sequence dither developed by Martin Roberts. Like traditional Bayer matrix-based dithering, this technique produces a patterned image akin to retro video games and early computer screens. In this project, the R-dither pattern results in a woven textile-like texture, which recalls the long relationship between computing and weaving. The canvas negotiates two scales simultaneously: that of the dithered pixel (rendered at 1/1024th of the canvas height) and the simulated particle that acts as a brush stroke (rendered at 1/256th of the canvas height). The two resolutions work together to produce a cohesive texture that is neither pretending to be a retrograde screen nor an analog material but something in between. Similar to RASTER, the goal is to investigate new avenues for digital aesthetics that rely on a combination of historical techniques and innovative practices.

Use mouse or touch controls to interact.
Press 's' to grab a still frame.

Collectors will be eligible to receive a signed archival giclée print of their mint.

This piece is interactive and plays music.\
Open and close the door.\
Music: Mysz-Gmeiner M 3 Side B – Der Nussbaum (Schumann), All recordings are from Grammophon ca. 1928, Public Domain Mark 1.0

The artwork, titled "Magical" Door is an interactive artwork that invites viewers to step through a magical door and into a realm of surreal, dreamlike experiences. As they open the door, they are greeted by a swirling light and music, beckoning them to enter. As they explore this magical space, viewers are manipulate the door itself, opening and closing it to reveal the imaginary worlds and sound experiences. 

Qubibi, who is usually known for his generative art to a wider audience, is showcasing this time his latest multi-media digital work "Magical” Door in the exhibition 'Magical Realism'. The piece admirably embodies the theme by blending boundaries between the real and the imaginary, creating a magical and otherworldly space.

At its core, "Magical" Door explores the concept of imagination and the boundless potential it holds. Qubibi's "Magical” Door showcases the artist's unique vision and ability to bridge the gap between reality and one's imagination. Through his use of interactive digital media, the artist invites the viewer to step into a world of wonder and possibility, challenging our perceptions of what is possible and encouraging us to let our imaginations run wild.

56206.eth

$128.03

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