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Good Vibrations is a kind of philosophy from our culture. It's not just a graphic, or melody. It mentions our journey through all of our lives. Inspired by Minimalism and some works of Ligeti György Sándor and Steve Reich, Good Vibrations creates unique geometries by each unique transaction hash. "Everything in Life is Vibration" Albert Einstein's states. The universal law of nature states that everything has its vibration, and all vibrations will make their voice audible or inaudible. It’s all of our events in the totality of our life, from every dimension—and we cannot determine if they are good or bad, dark, or light.

Good Vibrations #101

An evolving generative art project, inspired by the longing to connect with nature. It explores the relationship between art, code and nature. - "Becoming the Mountains and Rivers". 
The series explores the mythic idea of a time that came before, when we were one with nature and ourselves. This landscape refuses to hold still. Instead, the viewer is asked to contemplate about being the constant in this ever changing space. They are the only thing that can create a true moment in an otherwise fluid and dynamic world. The piece invites viewers to become fully immersed in the landscape, to contemplate their own inner zen and to feel a sense of calm and peace as they watch the land, water, and sky move and flow. It is an invitation to appreciate the beauty of nature and to reflect on the endless yearning for completeness that we all experience at some point in our lives. Like a postcard that transports us to another time, or a memory that provokes feelings of longing and missing, "Longing" invites us to reconnect with ourselves and to find peace in the ever-flowing river of life in the current moment.

The piece uses generative code to create a space where one can appreciate the beauty of nature while gaining a new perspective on how we perceive art. Instead of presenting viewers with the conventional form of a painting’s static view-through-the-window, Longing takes viewers into a living and breathing artwork. Just as nature moves in patterns that we know how to anticipate but can’t predict, Longing also moves in ever-evolving patterns that are both comforting and surprising. In this way, Longing challenges the static nature of painting while testing out where digital art can take us—is this a form of art that is in sync with nature? Or does it take us further away by inserting additional layers of mediation? Longing does not answer these questions, but it helps us contemplate possible responses, and pushes us to reconsider the nature and purpose of art in the 21st century.

Technical details
Immersive~ The artwork would fit any format ratio and resolution, hit full screen to widen the view and experience the work in landscape formats.

Evolving~ Movement: Time lapse after draw starting at the featured time and transitioning to the local time of the work, when local time is settled the work will display the current time and evolve the sky with it. Accompanied with the slow movement of colors ramps in the landscape, and water rippling.

Output~ 
~Press "s" to save a .PNG file at any stage at current resolution. 
~Press "p" to render and save a high resolution .PNG file for print x3 current resolution.

Created and developed by Ronen Tanchum and Ori Ben Shabat

Longing #11

The project focuses on how easily one assigns meaning to seemingly random combinations of blocks, giving them personality and creating emotional connections.

I was inspired by Ringers, in which people see animals and other characters. I wanted to amplify this quality, and the idea of sculptures made of blocks clicked! Endless combinations, funny characters, and my passion for cubes, voxels, and modular systems.

To make the sculptures, I used technique of hybrid voxel raymarching, so we can say, the sculptures are made of colored void in a reflected space. Some of them may seem impossible due to the lack of perspective, but sooner or later it all clicks! It helps to keep in mind that all shapes are symmetrical.

The script uses modern features of GPU so it's supposed to work only on desktop: Chrome, Firefox or Safari

Click #871

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Pineapple Owl

A project about nature and algorithm. It's easy to enjoy the randomness of a rock. Inspired by East Asian stone collecting, Really Random Rock brings a collection of 350 unique and unexpected viewing stones that generate from the random output of a hash string. Each rock is fully plottable and derives its form from a closed-loop shape expansion algorithm that makes countless calls to a random function. Through the very nature of randomness, resulting forms may occasionally resemble familiar things such as faces, animals, or landscapes. These results are purely coincidental and are celebrated as chance occurrences ...for this is the very essence of stone viewing and appreciation.
A plotting guide is available at the website above. ***Render times vary***

Really Random Rock #151

This !fundrop pass is a non-transferable NFT that allows the holder to participate in !fundrop and get !fun rewards for minting NFTs. Mint your own !fundrop pass at https://mint.fun/fundrop.

Canonicons are dynamic, nontransferable NFTs that reflect participation in the JPG ecosystem. With increased contributions, holders unlock new opportunities to customize their NFT.

Always notable: gratitude, appreciation, humility, and hope.

Alix Desaubliaux is interested in building narratives inside the virtual environments of Massive Multiplayer Online Role-Playing Games (MMORPGs), and in exploring the concept of the &ldquo;Magic Circle&rdquo; and its connection with both ancestral rituals, and the interaction between humans and their physical surroundings. Popularized by Johan Huizinga in his book &ldquo;Homo Ludens" (1938), the magic circle is a physical (or currently, virtual) space in which actions have a specific meaning because they are part of a game. Taken further, this idea leads to considering how every space in our society is subject to a set of explicit or implicit rules and codes, so that we are all, in a certain way, players behaving in accordance with the rules of a game.

In &ldquo;Sigils,&rdquo; the artist weaves the magic circle concept with the sigil, a symbol used in magic to summon a deity or spirit, and the physical space of an abandoned foundry of metallurgical alloys. The architectural plans of the factory inspire the artist to search for sigils that invoke an &ldquo;industrial genie,&rdquo; and she carries out a fictional ritual by burning the plans and creating rings of fire as a way to activate the sigil. The sound in the piece also creates an otherworldly effect that feels similar to the sounds generated by ghost hunters who use the feedback from electronic devices to search for the voices of spirits. In this way, the artwork suggests a paranormal experience through the lens of digital media by connecting the different types of code that have shaped human societies&mdash;from incantations, to laws, to programming scripts.

The hierarchical nature of social media has enabled influencers to become modern-day pagan deities, extending their power over the masses of believers who worship them. In &ldquo;Neonumens,&rdquo; Solim&aacute;n L&oacute;pez addresses this idea by exploring the Instagram feed of Brazilian beauty blogger Camila Coelho, who regularly shares makeup tutorials, archetypes of ideal beauty, and her luxurious lifestyle to her 9.2 million followers. The artist focuses on two images posted on the social media platform in particular&mdash;one featuring Coelho and two friends, and another depicting a baby shower with a dog sleeping on a couch next to a newborn and a large teddy bear. These images are recreated using 3D libraries and image recognition software, and then incorporated into a virtual installation. A video created by the artist explores the simulated piece, and is accompanied by sound generated from light values extracted from one of the images.

The wireframe structures of the 3D objects and the feature detection marks become neon lights and wire mesh sculptures in a composition that is reminiscent of both an altarpiece and a futuristic shop window display. Overall, the method for obtaining these elements and the resulting imagery remind us of the algorithmic nature of the contents we consume in social media. Coelho&rsquo;s success and the particular type of images she disseminates result from unspoken rules, social codes, and the snowball effect of being favored by the sorting algorithms of the media platform.

This is a prototype version of Democracity which was given out during the Enchiridion Cryptovoxels Scavenger Hunt where teams competed to see who could find the most items in the virtual world.

59669.eth

$9.27

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