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AFTER LIFE I 

Wrapped Ether 

Things we talked about in my youth

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12 LIVES #77/120

GE 7,303

GE 8,671

GE 2,998

LIFE IX by KEVIN ABOSCH (2023)

In this AI work, the fractured face of an aged timepiece, its hands poised a few minutes before an indeterminate12 o’clock, serves as an emblem of life's transitions. The ambiguous threshold between noon and midnight prompts contemplation. We are reminded of the punctuated nature of our journey—moments of inception and closure, of beginnings and farewells. Abosch’s work of synthetic photography “LIFE” joins the philosophical discourse on temporality and the fluid coalescence of life's unfolding chapters.

4800x4800 pixels RGB PNG

LIFE IX

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LIFE II by KEVIN ABOSCH (2023)

In this AI work, the fractured face of an aged timepiece, its hands poised a few minutes before an indeterminate12 o’clock, serves as an emblem of life's transitions. The ambiguous threshold between noon and midnight prompts contemplation. We are reminded of the punctuated nature of our journey—moments of inception and closure, of beginnings and farewells. Abosch’s work of synthetic photography “LIFE” joins the philosophical discourse on temporality and the fluid coalescence of life's unfolding chapters.

4800x4800 pixels RGB PNG



LIFE II

LIFE IV by KEVIN ABOSCH (2023)

In this AI work, the fractured face of an aged timepiece, its hands poised a few minutes before an indeterminate12 o’clock, serves as an emblem of life's transitions. The ambiguous threshold between noon and midnight prompts contemplation. We are reminded of the punctuated nature of our journey—moments of inception and closure, of beginnings and farewells. Abosch’s work of synthetic photography “LIFE” joins the philosophical discourse on temporality and the fluid coalescence of life's unfolding chapters.

4800x4800 pixels RGB PNG

LIFE IV

LIFE by KEVIN ABOSCH (2023)

In this AI work, the fractured face of an aged timepiece, its hands poised a few minutes before an indeterminate12 o’clock, serves as an emblem of life's transitions. The ambiguous threshold between noon and midnight prompts contemplation. We are reminded of the punctuated nature of our journey—moments of inception and closure, of beginnings and farewells. Abosch’s work of synthetic photography “LIFE” joins the philosophical discourse on temporality and the fluid coalescence of life's unfolding chapters.

LIFE

Robotos is a collection of algorithmically generated droid characters designed by Pablo Stanley

"this is not a pepe" is an unoriginal spin on surrealist René Magritte's renowned "The Treachery of Images." It delves into the age-old dilemma of art representation where what we see is merely an interpretation of an object, and not the object itself.

The same can be said for NFTs. Digital assets challenge the traditional notion of ownership and value, just like "this is not a pepe" challenges our perception of 'art.' NFTs are not the JPEGs themselves, but rather a representation of it - a testament to the eternal treachery of images.

-ChatGPT

2400x1680 px @ 300PPI

A celebration of the universal profound symbol of the flower. The flower paintings have been a strand of Colbert’s practice for the last few years, Initially conceptually inspired by Warhol and reinvented within his unique digital world, as cactus flowers growing all over his metaverse. For this new series Colbert has dived much deeper in the subject.

72074.eth

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