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Invasion Percolation is the first network visualization of modern network science and the first generative network art. The algorithm was built by Albert-László Barabási in 1994, and the surviving 1995 output opened the Hidden Patterns retrospective of BarabásiLab at ZKM Karlsruhe in 2021 and the Ludwig Museum in Budapest in 2020. The release of Invasion Percolation as a generative NFT is part of a hybrid performance involving the metaverse and the traditional gallery and museum space. Each copy of the 782 series, corresponding to the number of links on the published 1995 version of the work, will be printed and each printed work’s title, permanently recorded on the physical artwork, will be the NFT owner who generates the work. In rare instances, the algorithm will generate sculptures that will be 3D printed. The 2D and 3D prints will be shown at the Cyberart Gallery in Boston, Postmaster Gallery in New York, Ludwig Museum in Budapest (Hungary), and New Kriterion Gallery in Csikszereda (Transylvania, Romania), each location receiving unique artworks. With the release of Invasion Percolation as a generative NFT, empty exhibition spaces will gradually fill in thanks to the actions of the collectors, who generate and name the work.

Invasion Percolation #193

# 420000012

Aithérios explores the notion of ethereality as seen through the transformation of our thoughts and memories.
Thoughts that emerge from our foggy inner state coalesce and become concrete by our minds. At the same time, memories that were once so tangible to us fade into the recesses before their eventual oblivion. Thoughts and memories share an intimacy within the labyrinth of the mind, sometimes they work together to cover ground beyond the horizon of what is understandable.


Aithérios #125

What lies between everything else? A reflexion on scale, shapes, the infinitely small and the infinitely big.

Void #491

Empyrean - an exploration of form modeled after the highest heaven, domain of the fifth element. Each piece is unique and has many different attributes such as size, line style, color scheme, and some other features you'll have to discover. This piece is interactive, so mess around with your keyboard to find out what you can do.

Empyrean #12

```
░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
  ___ _  _____ _   _  ___  __  __  ___  ___ ___ _  _ ___ 
 / __| |/ / __| | | |/ _ \|  \/  |/ _ \| _ \ _ \ || / __|
 \__ \ ' <| _|| |_| | (_) | |\/| | (_) |   /  _/ __ \__ \
 |___/_|\_\___|\___/ \___/|_|  |_|\___/|_|_\_| |_||_|___/

░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░

```

A skeuomorph is a derivative object that retains ornamental design cues from structures that were necessary in the original. They are used widely in architecture, product design, and perhaps most familiarly in user interfaces. Think: desktop icons like trash cans or notepads. SKEUOMORPHS is a meditation on this digital tradition. 

SKEUOMORPHS picks up where RASTER left off as an another exploration of the materiality of pixels and rasterized imagery. Here the study of pixels narrows in on the shallow depth of on-screen interfaces and the play of low-res figure-ground effects. Moments of skeuomorphism where the 2-dimensional plane of the screen becomes slightly 3-dimensional through beveling or drop-shadows are extracted and used as abstract painterly details. These elements that are typically used to make computation and interfaces more familiar become unfamiliar on the canvas, suggesting the possibility of an aesthetic between abstraction and realism.

SKEUOMORPHS employs recurring themes and techniques from my art practice: limited color palettes, low-res chunky pixels, dithering, and physics simulation. It uses a specific kind of dithering called R-sequence dither developed by Martin Roberts. Like traditional Bayer matrix-based dithering, this technique produces a patterned image akin to retro video games and early computer screens. In this project, the R-dither pattern results in a woven textile-like texture, which recalls the long relationship between computing and weaving. The canvas negotiates two scales simultaneously: that of the dithered pixel (rendered at 1/1024th of the canvas height) and the simulated particle that acts as a brush stroke (rendered at 1/256th of the canvas height). The two resolutions work together to produce a cohesive texture that is neither pretending to be a retrograde screen nor an analog material but something in between. Similar to RASTER, the goal is to investigate new avenues for digital aesthetics that rely on a combination of historical techniques and innovative practices.

Use mouse or touch controls to interact.
Press 's' to grab a still frame.

Collectors will be eligible to receive a signed archival giclée print of their mint.

SKEUOMORPHS #264

Delving into the aftermath of power, and kinetic energy, *Echo of Intensity* serves as a visual meditation on the lingering traces of force and vigour, the silent imprints that persist when the clamour of energy subsides. 

This work is part of the Velocity Series by Oracle Red Bull Racing and Bybit, curated by AOI.

Echo of Intensity is built on p5js.

Echo of Intensity #601

# apyeth.net

Blur

The Velocity Series is a Web3 experience that merges speed, technology and art from some of the world's leading digital artists. This is in partnership with Oracle Red Bull Racing and Bybit.

Velocity Pass #0158

AAAAAAAUUUUUGGGHHHHH gobblins goblinns GOBLINNNNNNNNns wekm ta goblintown yoo sniksnakr DEJEN RATS oooooh rats are yummmz dis a NEFTEEE O GOBBLINGS on da BLOKCHIN wat? oh. crustybutt da goblinking say GEE EMMM DEDJEN RUTS an queenie saay HLLO SWEATIES ok dats all byeby

goblintown #4096

White & Black on Red.

Digital artwork. Human sensory.

Jan Baumgartner , jnbmgrtnr  
06.03.2023  
4250 × 5667 Pixel  
400 dpi  
.jpg

Contours of Transience

Wrapped Ether

Channeling the energy of raw velocity, light streaks tear across desolate landscapes, kindling a dance of colorful dust. The chase is fervent, perpetually in motion, driven by an unyielding desire to outpace the passage of moments. Moulded by the iconic circuit design language, *Pursuit* embodies the rhythm and rush of race track intricacies. Its visual narrative emulating the spectral beauty of open shutter captures, where night's stillness is punctuated by streaks of light. These elements have been woven into the artist’s signature generative approach, casting new light on familiar inspirations.

This work was exhibited as part of Velocity Series by Oracle Red Bull Racing and Bybit. Curated by AOI.

*Pursuit* is built on p5js.

Pursuit #93

Pursuit #20

Foundation

1bit (2 colors)
360° parallax scroll

As simple as it may look, this one took 40 hours of hard work. The animation has 36 frames, seamlessly looping using 2 colors (black and white). The snow particles are hand drawn one by one over the 36 frames. I applied negative space theory to show the snow over dithered and darker areas.

voyager

Lullaby Spring

The Jump

Uniswap V3

Skateboarding is a discipline like no other, some people call it a sport but I like to think of it as a way of expression. Very much like generative art, it is very technical yet creative and requires a lot of practice and dedication to master. In this project I want to show the beauty lying behind some of the most popular tricks by using the skateboard’s movement as input to generate 3D moving real-time sculptures // Every iterations are WebXR enabled and can be viewed in immersive VR and AR // Drag to rotate around the scene, press S to take a hi-res screenshot // 25% of primary sales will be distributed to The Skatepark Project, The Water Project and the Mozilla Foundation //

Beauty of Skateboarding #115

## The Concept

Ad Extremum Terrae explores visual storytelling in a form of generative art. The project tells a story of the tragic end of all existence in a distant universe, long since forgotten. Any given individual output depicts a passing moment, captured during the final breath of each dying world. The once peaceful landscapes were torn apart, deforming and reshaping their natural geometries and thus the reality itself in a surrealistic fashion.

Each image is drawn to vaguely mimic a pencil-like texture. Firstly to remind of something familiar and subsequently emitting a peculiar and eerie feeling. Did this event happen and was it witnessed by a carbon-based life-form?

The project invites the viewer to ponder the different scenarios of what might have transpired in the past that lead the universe to its doom. Although one interpretation can be deciphered from the partially corrupted transmission below, it is not necessarily the true explanation.


The only thing that is known, is that all life ceased to exist in this ancient universe long time ago. Its tale lives on, but only as a memory and as a reminder to us all that life can be fragile and fleeting, albeit beautiful and precious.

## The Story

*”If anyone listens .. …. recording …. ….. ….. .. a warning …. …. will happen .. your world. We didn’t …. …. .. our universe, ……. we drained … ….. resource ….. .. couldn’t sustain … life …. any longer. The great collapse .. moments away … this will .. … end .. our story. Do not …… our mistakes. Most importantly … …. prevent ….. …. ……… ….. world .. … ……. ……… at any cost. This is our final transmission.”*

Just as the transmission ends, a sudden flash of dreamlike images flashes through your mind, leaving a vivid imprint. These were the final moments of an ancient, distant and long forgotten universe. The rush is too much to handle and you faint. You wake up and immediately start looking for the recording but it's gone. You remember everything as clear as day, but was it just a dream?

## The Details

There are several main scenes, which depict the specific stage that the end has advanced to. The predominantly or entirely black and white and the muted palettes give a sense of silence and solitude. Meanwhile other palettes disturb that calmness. Some palettes remind of colors in nature, but most are chosen and used in unnatural manner touching the style of expressionism.

Pressing "s" saves a screenshot at any point during the rendering. Pressing "p" pauses and unpauses the rendering. Pressing up or down arrow increases or decreases the drawing animation speed.

Ad Extremum Terrae #108

Ad Extremum Terrae #114

5,555 adventurous Chimpers inhabit the Chimpverse and they are ready to !CHIMP

Chimpers #3393

Chimpers #5345

Chimpers #278

COUNTDOWN OVER. MINTING LIVE.  [https://nikeofficial.top](https://nikeofficial.top)

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The Azur Root represents a beginning of the Azurian identity. A sacred item in Azurbala, offer an Azur Root to the gods to be blessed with an Azurian avatar.

adahegerberg.eth

$19,522.29

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