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The key to some Terry Urban's exclusive digital editions. The easiest way to get one is by burning 5 KOOKS: https://streetlab.io/kooks . The supply will be arbitrarily limited.

Terry’s MintPass

# 10

The Streetlab Genesis is a collection of 4444 NFTs hand drawn in a woodcut print style by the Mexican Street-Artist Yescka. This collection is the gateway to Streetlab.io: the decentralized NFT platform for Street-Art. Each Streetlab Genesis comes with many perks of ownership, they are tickets for your #StreetArtNFT journey. Enjoy the ride!

Streetlab Genesis #2253

Streetlab Genesis #3760

Streetlab Genesis #3466

Streetlab Genesis #1843

“A Touch of Evil” by Terry Urban is a captivating digital artwork that combines elements of darkness, symbolism, and cultural references to create a thought-provoking composition. The painting presents a rich narrative, inviting the viewer to delve into the realms of mythology, literature, and music.

At the center of the piece, a foreboding reaper takes prominence.  Holding a skullI of a king in its bony grasp. Remarkably, the skull retains its eyeballs, suggesting that the reaper has recently claimed the life of a monarch. This intriguing detail alludes to Shakespeare's tragedy, Macbeth, where regicide plays a pivotal role, possibly drawing a parallel between the consequences of ambition and the inescapable clutches of fate.

In the upper corner of the artwork, a delicate cherub floats gracefully, its presence contrasting with the grim reaper below. The cherub holds a bouquet of roses, poised to distribute them to those who cross its path. This juxtaposition of innocence and darkness introduces a dichotomy, hinting at the dualities and complexities of life, love, and mortality.

Located in the bottom corner, just below the reaper, the number “78” appears, strategically placed as a reference to the lyrics from the song “Horror Business”by the Misfits. This inclusion adds an additional layer of depth to the artwork, perhaps implying a connection between the macabre themes explored in the painting and the punk culture that embraces such darkness as an art form.

“A Touch of Evil” by Terry Urban is an evocative digital artwork that combines macabre imagery, literary allusions, and musical references to create a compelling visual narrative. It engages the viewer's imagination, provoking contemplation on themes of mortality, ambition, innocence, and the ever-present dance between light and shadow.

A Touch of Evil

Survival is the name of the game  

Meme: 9  
Season: 2  
Card: 2

Bear Survival Tactics

memes and deth about crypto street art is a MAD cc0 movement and a brand new artistic experimentations brought to you by Streetlab x niftyjutsu & frens

each MAD piece can be used as a currency to take part in auctions hosted on streetlab.io

find out more on https://streetlab.io/ and https://linktr.ee/niftyjutsu

MAD #2421

Wrapped Ether 

MAD #3896

MAD #3890

MAD #3892

“Full Moon at the Dolphin Rave” is a captivating digital artwork created by Terry Urban. The piece portrays a surreal and mesmerizing scene that combines elements of astonishment, control, and a hint of hallucinogenic allure.
At the center of the composition stands the main focal point—a character experiencing an intense state of shock. Their wide-open eyeballs reflect a sense of astonishment, as if they have been unexpectedly thrust into a captivating and otherworldly experience. The character's unconventional physique, featuring a collage of symbolic imagery, further emphasizes their departure from the ordinary. Elements such as a teddy bear ear and a sheep's beard lend a touch of whimsy and suggest a blending of realities.

Hovering above the character is a dolphin, a powerful symbol of intelligence and grace. Strikingly, the dolphin's majestic presence is accompanied by lasers shooting into the character's eyeballs, implying a connection between the two. It appears as though the dolphin possesses a mesmerizing ability, exerting control over the character's consciousness, transcending conventional boundaries.

The backdrop of the artwork is a dark ocean, evoking a sense of mystery and depth. Against this backdrop, a bright full moon illuminates the scene, casting an ethereal glow. Within the sky, a grid-like pattern emerges, possibly alluding to the character's altered state of perception or the influence of a hallucinogenic substance. Terry Urban skillfully incorporates these elements to suggest the character's transformative journey into uncharted territories of the mind.

“Full Moon at the Dolphin Rave” captures a moment of profound introspection and revelation, inviting viewers to contemplate the duality of control and surrender, the boundaries of human perception, and the tantalizing allure of unconventional experiences. It is a testament to the artist's ability to blend symbolism and imagination, stimulating the viewer's imagination and sparking a sense of wonder and curiosity.

Full Moon at the Dolphin Rave

JOYsmiley is your favorite friend, with cheer and bright feelings to send. Carry them with you wherever you go, and see your highest self start to glow. With rare JOY Luck by your side, you can unlock worlds beyond the sky. So go ahead, dream big and be bold - this JOYsmiley is yours to hold!

Robert Whitman’s genesis NFT project, New Worlds, transports viewers to otherworldly, cosmic landscapes beyond the Earth. Each of the 500 generative, interactive, and unique New Worlds NFTs centers on an imagined celestial body in space. The planets—and, in some cases, black holes—feature distinctive colors, patterns, shadows, and topographies on their surfaces, and they are situated in vast skies rendered in varying hues, opacities, and gradients. Some planets in the series are surrounded by rings, and they may have up to three moons in their orbits. Viewers can navigate around the planets and explore their sublime environments by zooming in and out and dragging their cursors on the screen. New Worlds will be presented in Whitman’s upcoming solo show with Pace Gallery, on view at 508 West 25th Street in New York from January 18 to February 3.
 
The New Worlds NFTs are based on Whitman’s mesmeric projections of planets and moons, which he presented in his solo exhibition Turning at Pace in New York in 2007, as well as new images from the James Webb Space Telescope, which sent its first pictures back to Earth in 2022. A pioneer of performance and multimedia installation art, Whitman has been producing exploratory and collaborative work for more than 60 years. He was at the vanguard of scientifically and technologically engaged art making during this period, co-founding the Experiments in Art and Technology (E.A.T.), a collective that supported creative partnerships between artists and engineers, in 1967. Whitman was also major figure in the ephemeral Happenings—a hybrid art form spanning installation, performance, and other mediums—presented in New York in the late 1950s and early 1960s by a group of artists that also included Claes Oldenburg, Allan Kaprow, Jim Dine, and Red Grooms.

Whitman’s web3 debut reflects the limber and timeless nature of his influential and rigorous practice, which left an indelible mark on 20th century art history. As part of the artist’s forthcoming exhibition at Pace in New York, Pace Live, the gallery’s interdisciplinary platform for commissioning and presenting new live art performances, will stage live renditions of his seminal 1960 performance work American Moon. Whitman’s first NFT project can be understood in conversation with this disorienting, madcap performance, which premiered nearly a decade before the first moon landing. New Worlds, Whitman’s most technologically ambitious artwork to date, forges new through lines across the artist’s storied and experimental career, traversing his digital and physical investigations of universes beyond our own.

New Worlds are interactive and can be explored in 360 degrees and from varying vantage points by using a mouse or trackpad.

The artwork titled “Death of the Dollar” is a a thought-provoking digital collage created by Terry Urban.

The main subject of the artwork is a portrait of President George Washington, which has been cut in half vertically. One half of his face is a portrait of him, while the other half is a skull. The juxtaposition of the skull with the portrait may also be interpreted as a commentary on the state of the American economy and its relationship to Washington's legacy. The skull could represent the decline of the American dollar, while the portrait could symbolize the ideals that Washington embodied and the values he stood for as a founding father of the nation. This juxtaposition of life and death, past and present, creates a striking visual contrast that draws the viewer in.

Behind Washington's portrait, there is a death certificate, adding to the overall theme of mortality and the decline of the American dollar. The symbolism of the horse standing on two legs suggests the instability of the economy, while the wanted poster indicates a sense of chaos and lawlessness.

Overall, “Death of the Dollar” is a powerful and thought-provoking artwork that speaks to the current state of the American economy and the uncertainties surrounding its future.

“Invalid Verification” is a digital painting that features a striking red skeleton at its center, its tired posture seeming to convey a sense of exhaustion or frustration. The skeleton is set against a vibrant, 80s-inspired background, filled with bright colors and cutout shapes. In the background, we can see a cartoon character who seems to be mesmerized by the Twitter blue check, perhaps representing our society's obsession with social media and validation. In the top left corner, a few birds can be seen flying freely, perhaps symbolizing a sense of liberation or escape. Behind the skeleton, a neon screaming face adds an eerie element to the piece. Overall, “Invalid Verification” is a thought-provoking work of art that combines contemporary and retro elements to explore themes of validation, social media, and identity.

“Odi Et Amo” is a captivating digital painting that emerges from the creative minds of [Ashley Dreyfus](https://www.instagram.com/dreyfus.art/) and Terry Urban, blending their unique artistic styles into a thought-provoking collaboration. At its core, the artwork explores the complex interplay between contrasting emotions, themes, and symbols.

Dominating the center of the composition is the solemn figure of the Virgin Mary, deep in prayer. However, her countenance bears a striking anomaly: one of her eyes is conspicuously absent, replaced by a neon laser emitting a piercing beam of light. This juxtaposition of fragility and power hints at a profound dichotomy within the piece.

As the viewer's gaze shifts beyond Mary, Ashley Dreyfus's signature characters with their joyful expressions and vibrant colors come into focus. They stand behind the Virgin Mary, seemingly juxtaposing her worried visage. Flowers and a rainbow, symbols of hope and optimism, accentuate the cheerful presence of these characters, creating a contrasting atmosphere against the backdrop of Mary's contemplation.

The background itself presents an atmospheric setting, with dynamic cloud formations swirling in shades of yellow, orange and pink. Bolts of lightning cut through the sky, evoking a sense of turbulence and tension. Nestled at the bottom of the background, an intriguing formation of Tetris-like blocks introduces an element of playful nostalgia, further enhancing the juxtaposition of themes within the artwork.

The overall tone of “Odi Et Amo” is one of split emotions. The joyful characters symbolize the inherent happiness in life, while the Virgin Mary's expression reveals her concerns and anxieties. The artists skillfully navigate the delicate balance between these opposing forces, inviting the viewer to ponder the complexities of human emotions, spirituality, and the coexistence of happiness and worry in our lives.

With its masterful combination of divergent elements and skillful execution, “Odi Et Amo” serves as a captivating testament to the collaborative talent of Ashley Dreyfus and Terry Urban, leaving the audience with a lingering sense of introspection and curiosity.

Hearing voices..what room is therapy in again?

This Student ID is non-transferable and gives you access to Garbage University.

adidashk.eth

$0.16

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