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OpenSea

Bomb Story: A recurring cartoon trope is to imagine what the character looks like as an anatomical cross-section or skeletal structure. We were curious to see what Adam Bomb looks like underneath all the hardware, but this also falls in line with The Hundreds' punk/metal aesthetic that is foundational to our brand themes.| Background Story: 
Originating in Scotland as ""tartan,"" we now call this pattern of crisscrossed lines ""Plaid."" Growing up in Southern California during the '80s and '90s, plaid beach volleyball shorts were always in our purview, thanks to labels like Mossimo and Stüssy. When we elevated to making cut-n-sew apparel like button-ups in the early 2000s, plaids made their way into our language as a nod to both the surf culture of the West Coast and Polo's influence on the East. In fact, every plaid speaks to a different subculture. Buffalo plaids were woven into the early New York hip-hop lumberjacks. Shadow plaids on swap meet Pendletons. And The Hundreds plaids, for all.

# 13985

Bomb Story: At its foundation, The Hundreds is foremost about art and creativity. That begins with pencils, pens, markers, crayons, anything that can leave a mark. Like paintbrushes, acrylics and oils as well as watercolors.| Background Story: 
The foundation of The Hundreds is streetwear, and at the foundation of streetwear is the graphic T-shirt. From our beginnings in the Fall of 2003, The Hundreds has relied on the tubular, open-ended cotton of a boxy, blank as our canvas. This is the same T-shirt that Bobby and Ben wore growing up, mixing and matching them 3 for $10 at the local swap meets. The independent skate brands of the 1990s, the streetwear brands of the early 2000s, all co-signed the same cut. Even when the clothing industry chased ringspun apparel or fashion silhouettes, The Hundreds held to the inspirational baseline. Our solid backgrounds are hues from the original swatch card that we built the brand off of. 

# 3383

Bomb Story: Tourist Adam is a nod to the Venice Beach souvenir shirts that grace the boardwalk. Over the decades, those tacky tees have served to become a uniform of sorts for out-of-towners to our city of Los Angeles and the greater California. But, they can also serve as rich inspiration material for T-shirt designers. There were two different ways we printed this design for the season, depending on the T-shirt color. This one knocked out the eyes and other elements to be clear, to save money in printing white ink on a white blank.| Background Story: 
Our earliest adopters know JAGS as The Hundreds' signature pattern, in the vein of Louis Vuitton's monogram or a Burberry plaid. Bobby taught himself how to design graphics through the Adobe Suite. His first Photoshop ""doodle"" was taking the pen tool and making these jagged shapes. Years later, we would coin this repeating print on clothing, leather belts and wallets, BMX bikes, snowboards, and marketing materials as ""JAGS."" Although still used across the collection, JAGS sums up the 2000s era of The Hundreds.

None

Bomb Story: Confused Adam is one of a series of Adam Bombs in various emotive states. Mental health awareness and discussion are important to The Hundreds so we use the emotional Adams to help our community identify different feelings. Also, MOOD.| Background Story: 
The foundation of The Hundreds is streetwear, and at the foundation of streetwear is the graphic T-shirt. From our beginnings in the Fall of 2003, The Hundreds has relied on the tubular, open-ended cotton of a boxy, blank as our canvas. This is the same T-shirt that Bobby and Ben wore growing up, mixing and matching them 3 for $10 at the local swap meets. The independent skate brands of the 1990s, the streetwear brands of the early 2000s, all co-signed the same cut. Even when the clothing industry chased ringspun apparel or fashion silhouettes, The Hundreds held to the inspirational baseline. Our solid backgrounds are hues from the original swatch card that we built the brand off of. 

Bomb Story: This iteration of Adam Bomb is a part of the larger ""Styles"" T-shirt design from The Hundreds Summer 2007. The graphic is an appropriation of the hairstyle option posters that hang in neighborhood barbershops. Adam's hairdos, however, reference the various subcultures and eras that speak to The Hundreds' inspirations.| Background Story: 
Originating in Scotland as ""tartan,"" we now call this pattern of crisscrossed lines ""Plaid."" Growing up in Southern California during the '80s and '90s, plaid beach volleyball shorts were always in our purview, thanks to labels like Mossimo and Stüssy. When we elevated to making cut-n-sew apparel like button-ups in the early 2000s, plaids made their way into our language as a nod to both the surf culture of the West Coast and Polo's influence on the East. In fact, every plaid speaks to a different subculture. Buffalo plaids were woven into the early New York hip-hop lumberjacks. Shadow plaids on swap meet Pendletons. And The Hundreds plaids, for all.

# 15527

Bomb Story: We look to Adam Bomb as the embodiment of a generation. Perhaps one day, the art will be remembered fondly like that of historical painters. Adam Bomb has taken on the spirit of many classical artists, including Claude Monet, the founder of French impressionist painting.| Background Story: 
The foundation of The Hundreds is streetwear, and at the foundation of streetwear is the graphic T-shirt. From our beginnings in the Fall of 2003, The Hundreds has relied on the tubular, open-ended cotton of a boxy, blank as our canvas. This is the same T-shirt that Bobby and Ben wore growing up, mixing and matching them 3 for $10 at the local swap meets. The independent skate brands of the 1990s, the streetwear brands of the early 2000s, all co-signed the same cut. Even when the clothing industry chased ringspun apparel or fashion silhouettes, The Hundreds held to the inspirational baseline. Our solid backgrounds are hues from the original swatch card that we built the brand off of. 

# 5857

Bomb Story: Dead Inside Adam is one of a series of Adam Bombs in various emotive states. Mental health awareness and discussion are important to The Hundreds so we use the emotional Adams to help our community identify different feelings. Also, MOOD.| Background Story: 
Originating in Scotland as ""tartan,"" we now call this pattern of crisscrossed lines ""Plaid."" Growing up in Southern California during the '80s and '90s, plaid beach volleyball shorts were always in our purview, thanks to labels like Mossimo and Stüssy. When we elevated to making cut-n-sew apparel like button-ups in the early 2000s, plaids made their way into our language as a nod to both the surf culture of the West Coast and Polo's influence on the East. In fact, every plaid speaks to a different subculture. Buffalo plaids were woven into the early New York hip-hop lumberjacks. Shadow plaids on swap meet Pendletons. And The Hundreds plaids, for all.

# 7075

Bomb Story: Repeating patterns, including animal prints, are key to The Hundreds branding. We've consistently returned to leopard print over the years because of its ties to classic Americana, punk music, '80s throwbacks, and high fashion. The Frankly series imagined leopard print in a series of oddball colors that lined up with The Hundreds' aesthetic.| Background Story: 
The foundation of The Hundreds is streetwear, and at the foundation of streetwear is the graphic T-shirt. From our beginnings in the Fall of 2003, The Hundreds has relied on the tubular, open-ended cotton of a boxy, blank as our canvas. This is the same T-shirt that Bobby and Ben wore growing up, mixing and matching them 3 for $10 at the local swap meets. The independent skate brands of the 1990s, the streetwear brands of the early 2000s, all co-signed the same cut. Even when the clothing industry chased ringspun apparel or fashion silhouettes, The Hundreds held to the inspirational baseline. Our solid backgrounds are hues from the original swatch card that we built the brand off of. 

# 23783

Bomb Story: Bubbles Adam was a take-down of an earlier The Hundreds T-shirt graphic that mimicked a colorblind test. The message was both literal and metaphorical in commenting on race relations in America and how we embrace diversity in our communities.| Background Story: 
The foundation of The Hundreds is streetwear, and at the foundation of streetwear is the graphic T-shirt. From our beginnings in the Fall of 2003, The Hundreds has relied on the tubular, open-ended cotton of a boxy, blank as our canvas. This is the same T-shirt that Bobby and Ben wore growing up, mixing and matching them 3 for $10 at the local swap meets. The independent skate brands of the 1990s, the streetwear brands of the early 2000s, all co-signed the same cut. Even when the clothing industry chased ringspun apparel or fashion silhouettes, The Hundreds held to the inspirational baseline. Our solid backgrounds are hues from the original swatch card that we built the brand off of. 

# 15601

Bomb Story: Positive Adam is one of a series of Adam Bombs in various emotive states. Mental health awareness and discussion are important to The Hundreds so we use the emotional Adams to help our community identify different feelings. Also, MOOD.| Background Story: 
Originating in Scotland as ""tartan,"" we now call this pattern of crisscrossed lines ""Plaid."" Growing up in Southern California during the '80s and '90s, plaid beach volleyball shorts were always in our purview, thanks to labels like Mossimo and Stüssy. When we elevated to making cut-n-sew apparel like button-ups in the early 2000s, plaids made their way into our language as a nod to both the surf culture of the West Coast and Polo's influence on the East. In fact, every plaid speaks to a different subculture. Buffalo plaids were woven into the early New York hip-hop lumberjacks. Shadow plaids on swap meet Pendletons. And The Hundreds plaids, for all.

# 11038

Blur

Bomb Story: While most Adam Bombs are intricately drawn and complex in nature, Simple Adam is a classic, 1-color version of Adam Bomb. Although he started off as a mascot, Adam Bomb became one of the brand's logos over time and that required a distillation of the design down to an easy and printable mark. There is a legion of The Hundreds followers who prefer a subtle, timeless Simple Adam over any other. | Background Story: 
Our earliest adopters know JAGS as The Hundreds' signature pattern, in the vein of Louis Vuitton's monogram or a Burberry plaid. Bobby taught himself how to design graphics through the Adobe Suite. His first Photoshop ""doodle"" was taking the pen tool and making these jagged shapes. Years later, we would coin this repeating print on clothing, leather belts and wallets, BMX bikes, snowboards, and marketing materials as ""JAGS."" Although still used across the collection, JAGS sums up the 2000s era of The Hundreds.

# 15438

Bomb Story: Sometimes, our stockists request exclusive The Hundreds product that a nearby competitor doesn't have access to. Once in a blue moon, we will offer Special Make-Ups (SMUs) for friends of ours or accounts who have gone above and beyond for us. This Adam was one of the more prominent SMUs of the time.| Background Story: 
Coinciding with the birth of the Internet in the late 1990s, Digital (or Digi) camouflages were invented by the Canadian Forces. But, we liked to play with Digi Camo because of its connection with the Internet, technology, and the metaverse. Considering that The Hundreds broke the web open for global streetwear, we've since been the forerunners when it comes to tech innovation in the marketplace. Case in point: NFTs.

# 3026

Spirits are mischievous creatures causing havoc throughout the metaverse. Members of the IMPS (Institute of Master Pursuers of Spirits) hunt them down to protect the realm.

Lapilance

Lapidash

Ophim

Cristul

Grin

Unidile

Charius

Lapita

Oola

Rivana

Cephet

Dr0-n3

A toxic spill has been released into the pond, causing the Polz to evolve into Polzilla

The punks have turned mutant into Vampire, Frankenstein, Robot, Orc, Ape Zombie, Mummy and Demon

b2ivault.eth

$24.60

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