Elevate Heart #172

Elevate Heart #103

ZENTRUM is a dynamic, endlessly running abstract animation made of structural elements and random codes. The random generator ensures that each endless loop is unique. For ZENTRUM, Franke had to make do with the limited computing capacity that a home computer offered at the time. Despite this limitation, it was important to him to develop moving sequences even in his first programs for the Apple II. He considered the movement to be a pioneering digital innovation. The combination of dynamic image sequences and music, as well as the interactivity, were already groundbreaking in his MONDRIAN program code, developed in 1979 for the Texas Instruments home computer.  License: https://quantum.mypinata.cloud/ipfs/QmUnSepLccUajd2kJi3hX7bFvzUuFHr39UUP1TTk9yHaaq

ZENTRUM #117

Wrapped Ether 

OpenSea

Meebit #3928

MetaMask Swaps

Immutable X

AlgoRhythms is a collection of generative audio-visual data sculptures. Each unique hash drives the combination of colors, patterns and musical scales into a music box.

AlgoRhythms #412

CryptoCube #186

USD Coin

An excursion into visual proportion. Bright Moments Buenos Aires, November 2023.

Cuadro #66

In 'Dolor Gravitacional' I explore the profound analogy between the universe's gravitational forces—both creative and destructive—and the intense attractions in human relationships. These forces, powerful enough to warp planets and alter our very identities, reflect the delicate balance of creation, destruction, and the emotional contortions we undergo to fit into the world's reality. 

Through sweeping lines and bending forms in 'Dolor Gravitacional,' the oscillating patterns echo the internal human struggles, akin to celestial bodies responding to gravitational pulls. 

As viewers, we're drawn into a contemplative journey, recognizing the deep interplay between cosmic dynamics and our personal existential challenges, all within a universe marked by both chaos and serenity.

Dolor Gravitacional #52

_Desde Lejos_ is a series of generative digital paintings that explore the realms of memory and perception. Using nostalgia and pixels to create digital scenery, I revisit places and moments now part of my distant past. These fragmented landscapes are my interpretation of the prompt “On-chain, Off-line” for the Bright Moments Buenos Aires collection.


**Controls:**
X : Pause
Z : Play
D : Pause + Dither
S : Save current frame as PNG
Click and Drag : Add new particles 


**URL Parameters:**
?size=0 : Render at window resolution (default)
?size=1 : Render at 1920x1280px 
?size=2 : Render at 2400x1600px 
?size=3 : Render at 3000x2000px 
?size=4 : Render at 4500x3000px 
?size=5 : Render at 6000x4000px 

*Different resolutions might slightly affect the dithering patterns on the images.*


Thomas Noya, 2023

◉_◉

Desde Lejos #58

Images that are born from the combination of primitive elements: points, lines, and intersected elemental geometries. #purevisibility

Subtraction, Reconfiguration #66

Souls from Gaia is a delve into the sublime. This piece intends to spread curiosity about the continuity between all living and non-living beings of the universe. It becomes from questioning and thin the veil between the worlds defined by modern Western culture as rigid and opposite concepts. A coming and going from tangible to ethereal, between live and death, invisible and visible, nature and technology, ocean and earth, chaos and logic.

Souls from Gaia #51

“Vértigo Las Luces” (Vertigo the Lights)  takes inspiration from long exposure photos I take in Buenos Aires. It’s made with several particle systems following two simple attractor systems. These particle systems are modified and tuned to compose the final images. In a way, it aims to reflect the unpredictability, the spontaneity and speed of the city.

Vertigo Las Luces #65

*BLINK* originally grew from our fascination with Baroque vanitas paintings, 17th century still life artworks filled with symbolic objects chosen to remind us of our mortality: hourglasses, skulls, burning candles, butterflies, bubbles. From this inspiration, we distilled the bubble as our object of fascination: the bubble as a symbol of both ephemerality and joy.  *BLINK* is in conversation with our other work, which often plays with time and scale. Here we display the bubble at a large scale, with background streams and fields that reference some of our most well-known examples from *The Book of Shaders*. The effect is the delicacy of a bubble shown at planetary scale.

The color and speed variation within this series are intentionally chosen to create a wide range of pieces. We are particularly interested in outliers and push the edges here, giving the code freedom to wander through a wide range of outcomes. Some pieces are calm and reflective, like the quiet surface of a pond, or a candle’s flame, while others evoke the energy of a city flying by.

We want to invite people experiencing *BLINK* into a moment of presence. Viewing the bubble at this scale is both planetary and fleeting: in ictu oculi — in the blink of an eye.

BLINK #56

KARNE #57

Flowers, yes, but not the likeness of any real flower: rather, flowery exaggerations, bouts of pure flowerness, overgrowths of shape and color, algorithmic fever dreams, delirium blooms.

Flowers, then, not as parts of plants, but as explosions of feeling. A turmoil of mixed emotions: something to do with life and happiness, to be sure, but also with madness and perhaps with death. 

Flowers not as placid representations of nature, but as artificial life forms from an era of machine hallucinations, information overflow and a degrading environment. Flowers for a time of inflamed passions and strangely distorted ideas of reality. Flowers for Argentina, flowers for the world.

Press
[s] to download capture
[2-9] to redraw and download capture at x times the original 900 x 1600 size
[f] for fullscreen
[SPACE] to pause/unpause animation

Delirium Blooms #65

**Trichro-matic** meditates on perception.

As you explore the piece, your perception of the structure shifts. Elements change their relationships - what is out turns in; what is flat deepens. What stood adjacent now occludes.

The piece uses rhythmic color and form, displacement, and juxtaposition to create structures that invite interpretation and exploration. Some outputs challenge our depth perception conventions, while others manipulate explicit structural cues and emphasize intentional imperfections.

From this concept, the piece gets its name - Trichro-matic - denoting the ability to perceive using all three primary colors. The hyphenated "o-matic" denotes fictional machinery, hinting at the generative system supporting the piece. Both hand-selected and algorithmically-generated color palettes feature, with the latter aiming to elicit emotions akin to the former.

When you explore an output from different starting points, you understand the elements' relationships differently. In these changing interpretations, no answer is definitive. Each perspective, whether your first, your last, or someone else's, is valid.

Prints will be available for Trichro-matic owners. For more details, visit [this link](https://www.mountvitruvius.art).

Note: Renders might take longer on lower-end or mobile devices. This piece is my most technically complex release to date, relying on a custom GPU render process which can demand significant resources, even if outputs appear simple.

Finally, I dedicate this piece to my father, who suffered vision loss from a stroke in September 2023.

Trichro-matic #293

THIS PIECE IS AN OUTTAKE OF ROBNESS' SUPERRARE SERIES ENTITLED 'MY ADVERSARIAL FRIEND'.

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