Ethereum

Wrapped Ether

WETH

Cryptovoxels Parcel

Waterfront 76m² parcel near Pluto in Pluto, 6652m from the origin, with a 8m build height and near to Cthulhu Macula and Elcano 

2 Cthulhu Macula

135m² parcel near Vibes in Vibes, 6690m from the origin, with a 8m build height and near to Popular Avenue, Active Drive and Fine Vale 

7 Active Drive

54.78.66.71.83.44.66.00.63

# apyeth.org

The starting gun goes💥, and its happening. Packs of racers, proudly sporting their team colors, are competing in the race of their lives. Some are going for it. Others can't really be bothered. But you know this is where the action is at. Absolute drama around every corner. Who will be victorious, and who will stumble. Take a better look at the group by touch/click dragging the scene.

Geometry Runners #985

Each Selection Pass grants the owner the right to select an artwork from Infinity Flowers by Dmitri Cherniak. The lower the Selection Pass number you own the earlier you are granted access to choose your preferred artwork. This selection process is live at https://infinityflowers.io/

Infinity Flowers by Dmitri Cherniak - Selection Pass #32

The Boys of Summer is a transmedia art project about the quantified self, data as commodity, and baseball. The 999 PFPs in the project begin their existence free from almost all attribute or trait data. Build a story for Amber by connecting to [boysofsummer.chan.gallery](https://boysofsummer.chan.gallery)

Amber Brinson

Death Before the Bloom is a collection of 111 unique snapshots of an evolving palace from my imagination. With each mint, fans collect a snapshot of a unique rendition of this immersive experience, and are invited to follow along as their particular space evolves to either match their snapshot or reveal alternative phases of this developing environment. Listen to “Future”, the final track on my upcoming album and enjoy a virtual experience inspired by the transformational effects of natural growth and mycelium.

Death Before the Bloom #109

With Index Grids, Andre Oshea explores the symbiotic, sometimes uneasy, and ultimately inextricably-linked relationship between the artwork, the artist, and the art market, a complex relationship that is only amplified by Web3 and its blockchain particularities. Each of the 113 tokens in Index Grids will evolve between four phases each time the token is transferred to a new owner. With this gesture, Oshea explores the potential of how the market affects artists output.

Index Grids #24

In ‘Are you online?’ anonymous conceptual artist Auguste Wibo takes his signature phallic relief sculptures into the digital world for the first time. Incorporating real models from around the world using a 3D scanning app, the 100 pieces, each ranging in material from metals to glass and even fire, are named after Greco-Roman gods. In Auguste's words, “This collection represents an all-important reminder that art and sex will always be linked, so long as the two remain free of suppression and censorship.”

Are you online? #17

Voodoo House is a generative collection that explores the concept of abstract growth and the emotional experiences that accompany transitional periods in life. Each piece in the collection is a moving digital work, accompanied by a song from Jon Waltz's upcoming EP. The visual art reflects the psychedelic aspects of the music, which come together with a mixture of techniques to make listeners feel the abstraction. 

Voodoo House #20

disperse

Isotopias: A Living Canvas of Time and Space

The Isotopias collection is a wondrous blend of isometric perspective and utopian landscapes, constructing a world where mathematical precision and abstract visions converge. 
Each piece in the collection forms a unique and exact realm, inviting the viewer to embark on an exploratory journey of curiosity and creativity.

At the heart of each Isotopia lies the emblematic letter H, honoring the HODLERS collective and the community that binds us together. 
Every artwork in the collection is an on-chain, living entity that evolves with the passage of time, revealing 24 enchanting designs corresponding to each hour of the day.

As moments unfold, new designs gracefully build upon the previous ones, echoing the essence of blockchain technologies and HODLing culture within the crypto space. 
This dynamic evolution celebrates the power of community and innovation, where individual blocks amalgamate to form a harmonious whole that surpasses the sum of its parts.

SZN 1 Collector Pass: Isotopias #15

Born from the Great Wizard’s dream, the Sacred Trees grow on distant worlds, surrounded by moons.  Magic runes will be granted to those who see them in a vision.

R: toggle rotation
drag and drop to rotate
scroll to zoom in and out

how could you?

1080x1080 pixels
eight-second seamless audiovisual loop
original score and animation
4D quaternion julia fractal
MP4 [AAC + H.264]

These ZombieToadz are coming for your $BRAINZ

Defacing US currency is a federal crime, and may be punishable with up to six months imprisonment in addition to fines. Neither the Artist nor Plottables LLC condone defacing, mutilating, cutting, disfiguring, perforating, or otherwise damaging US currency.

By purchasing an Instruction token the collector implicitly assumes full legal responsibility for the defacement of currency in their possession, and agrees to hold the Artist nor Plottables LLC harmless from all claims, losses, liabilities, public prosecutions, costs, and costs associated with this project.

All Instructions exist simply as and artistic exercise, and collectors are strictly discouraged from executing said Instructions using the following tools: Axidraw pen plotters, fine-point pens (ex. Micron, LePen, Stabilo), felt tip and highlighter pens (ex. Sharpie), scissors, and lighters. The token thumbnail represents a simulation of what this may look like if executed on the pictorial area of the United States one-dollar bill.

As a token of gratitude, each collector is entitled to a $1.00 rebate, issued in the form of a crisp bank note, when a request is made to the Artist in person.

This project is a 48 hour open edition from 11/11 2pm (CST) - 11/13 2pm (CST)

Trippy Toadz is a community-driven and limited collection of 6,969 algorithmically generated toadz minted on the Ethereum blockchain. The 1st generation of toadz will be created from over 175 different traits including body types, faces, accessories, and vibes. Some rarer than others but all ready to !trip in the metaverse. Each toad comes with ownership and commercial usage rights.

The official [CREA](https://www.creawearables.fun) Airdrop Vault! The first exclusive airdroped collection of wearable NFTs and your gateway into the world of digital wearable fashion, powered by Blockchain technology, engineered for AR and blurring the boundaries between physical and digital realms 🌐

The Family Mooks by Mr. Kaves is the genesis token for the Doodle Labs platform. The Family Mooks originally debuted as a comic strip in Mass Appeal Magazine in 1999. Doodle Labs, in collaboration with Mr. Kaves, has brought The Family Mooks back to life in a mashup of 3,951, fully on-chain generative NFT works of art. 

DeCiphers by Irene Mamiye represents an an evolution of her physical Ciphers series through the lens of generative art. This collection of 1000 NFTs continues the conversation of authorship that Irene has explored through her body of work over the past decade, illuminating the changing relationship between artistic process and output.

Winslow Homer’s Croquet Challenge is a digital game that can be played by anyone on the internet or by collectors as an application on their computer. Toronto-based artist Mitchell F. Chan not only coded the game art and mechanics, but also wrote the dialogue, recorded the sound effects, and even created the shaders that calculate the lighting levels on each texture in real time. The first in his new series of immersive fictions called Beggars Belief, this game transforms Homer’s painting <a href="https://buffaloakg.org/artworks/194111-croquet-players" target="_blank" class="link">The Croquet Players, 1865</a>, into a digital “physics game” (like Angry Birds), in which the player uses their cursor to aim and swing their mallet towards the ball. The characters are modeled after the figures in the painting; the action takes place on a lawn that is bounded by a recreation of the painting’s gilded frame; and landscape scenery from Homer’s other paintings provide the backdrop.

Homer first became famous for his images of the Civil War, which were popularized in the press and helped the Union’s cause. Painted shortly after the war’s ending, his idyllic rendering of a friendly croquet competition may represent the desire for reconciliation after an intense period of social and political division—or perhaps a skepticism that such a thing is possible, given the ambiguous relationships between the figures. Chan amplifies the painting’s undercurrent of conflict by giving the characters dialogue that emphasizes the historical context of the Civil War, as well as by making Homer’s genre painting of privileged leisure into an actual game with winners and losers. Given that physics games are descended from ballistics research during World War II (which contributed to the invention of modern computing), the game play particularly highlights the military history haunting this scene.

Beyond contextualizing The Croquet Players as an antebellum painting, Chan’s game reminds us that art—like games or politics or war—takes place within a defined arena according to a set of rules, and that certain ideas, facts, or people must be included or excluded for this arena to be maintained. Using your cursor to lower the in-game camera reveals a chain gang of formerly enslaved African Americans laboring in the fields beyond the lawn, suggesting the Jim Crow laws then forming on the horizon—as if the tenor of Homer’s painting depends on keeping knowledge of these events “outside the frame.” The game also touches on the sexual politics of this era, which saw the birth of the women’s suffrage movement. Homer’s painting reflects that croquet was one of the first co-ed sports, which contributed to its surge in popularity in the 1850s. Chan’s game uses Homer’s same co-ed figures, but we can only play as the women, even though only the men are allowed to speak—and to win.

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Please note that this work contains adult language and content.

Chrome Squiggles holders are invited to join the Gutter Punks - a woman-led project building tools to level the playing field and support creators. Details on Twitter @GutterPunksNFT or visit https://mint.gutterpunks.co to mint now!

Inspired by the visual nature of microchips, Blue Chips is a commentary on the notion of how assets derive value, and an exploration of the role of technology in our culture. In his signature bold collage style, Case Simmons brings an irreverence and sense of humor to this collection, a simultaneous reflection and examination of the new paradigm of collecting digital art.

[The Crazy Lizard Army](https://crazylizardarmy.link) is made up of 66 unique lizards. Pre-minted Lizards can be converted to two tradable Lizards. Visit [Website](https://crazylizardarmy.link) and double your Lizards.

[Third Eye](https://thirdeye-nft.link) is a brand bridging the digital and physical world together with a focus on clothing, art and culture. Pre-minted items are only for VIPs and can be converted to two tradable ones each. Visit [Website](https://thirdeye-nft.link) and convert your Third Eye Items.

[Breezy bears](https://breezybears.link) provides free licences for creatives to use the art in advance under certain conditions. Pre-minted items are locked and can be converted into tradable for free. Visit [Website](https://breezybears.link) and get tradable ones.

hideogenart.eth

$1,493.75

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