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Comeback Kid never wanted to be reliant on the girl they love. They tried extremely hard to forget the beautiful moments they had in order to improve themselves. The absurd reality they came to find is that no matter how much they try to forget, one simple song can bring them back into the wormhole of love and fantasy they once had. 

“The sun comes out when you call me baby, I aint trying to be reliant but you know I’m greedy.” 

 This Common Bun Comeback Kid has Ice Cold Eyes and a Tongue Mouth, and is part of the Underground Realm: A blend of techno, trap, and jersey club that are packed into hyped tracks.

Raver #126

This pre-reveal NFT will reveal very soon. Follow us on Twitter to find out when the next reveal space will be: https://twitter.com/NiftyMusicApp

HYDRÅ by ALYSS - Pre-reveal

Optimism Bridge

# 153

An evening newscast delivers a barrage of disturbing images and sound bites designed to fill our brains with the latest marketing messages and government propaganda. In today’s top story, a decorated military veteran, Marshall Law, announces his intent to run for president on a law-and-order platform. The newscast cuts to a live political rally in which Law makes his case to voters, then cuts back to the newsroom for the wrap-up.

Judgment Day by Tony Parisi #111

This painting was created over the summer of 2023 for a specific collector with no interest in the NFT companion token - a timelapse recording of the entire process paired with a live audio recording. That token will be given to a lucky collector of this piece. The physical piece is not for sale, but the palette used to finish the painting will also go to the winner of the timelapse token. As more tokens are minted for this "raffle" more surprise prizes will shake out, no limit aside from the time window. More will be done with these "raffle tickets" in the future, but for now - let the games begin! 

Physical piece (36"x60") was completed October 1st, 2023.  
Audio was captured live via Clubhouse on August 25th, 2023

The Journey 2023 by William Takeover

manifold.xyz

Judgment Day by Tony Parisi - Pre-reveal

The "Welcome to Nashville" anthem. Countrify ya life by adding this one to your Music NFT collection.

Produced by: Sam Martinez x Sammy Arriaga
Written by: Sammy Arriaga, Tim Riehm & Sam Martinez
Mix: Sam Martinez
Mastering: Nathan Dantzler (The Hitlab)

sammyarriaga.xyz

OP3N MINDS is a 1110-piece Music NFT collection featuring 10 original songs by Nessy the Rilla complimented with full-traited digital artwork by Dino Belli. Through the unique gamification of traits + songs, holders are eligible for free airdrops, community games and giveaways, weekly Discord shows, vinyls records, IRL events and more!

“Mirror” is a story about a woman with a serious alcoholic problem that continuously finds her escape through a glass of whiskey, then  two, then three… and lost.

She was my roommate. One of the most talented songwriters I know and after years of seeing her struggle through this, I decided to write this song. 

In its genre, this song represents what I’ve been trying to create for a long time. Blending film scores & pop music, I would classify my music as cinematic pop, and hope you resonate with it. 



I almost died from longcovid - combined with a dangerous black mold exposure, other viruses, and parasites I didn’t know I was harboring (including toxoplasmosis that went to my brain - which will make people suicidal on its own) in 2022. A perfect storm. 

It was a long, slow, painful, death that suffocated the old me. I’d seen 11 Vanderbilt doctors who couldn’t help me. I spent all of the money I intended for an album on medical bills. I had a large bathroom drawer full of prescriptions. I became an angry, hate-filled skeleton that even began repelling the love of my lives (my husband Grant), who’d already suffered through other health scares with me. 

Somewhere in those 10 months of constant suffocation, allergic responses, bone-scraping fatigue, and mental warfare - my old self died. It is with this song (and this entire upcoming EP) that I send her off with a warrior’s funeral. And not just me, but the millions of people fighting chronic illness who have had to grieve parts of themselves in the same, horrific way. To represent this, the song ends with a choir of sick people singing together - all grieving our own lives. I present to you: Sick Of Me. 


it’s crazy to think about how Roy and i had never collaborated on an artistic level until now, and all of the synergies that led us here. it felt like we were always just an arm’s length apart, operating in the same circles, innovating in similar ways, both navigating the same spaces. after a few oddly serendipitous coincidences exchanged between us, it seemed like the universe was leaving signs everywhere that we should know each other, and beyond that, create together.

i’ve been a big fan of all of Roy’s creative endeavors for a while, and being in the studio with him was kinda magical. we wrote Lost the first time we sat down in a studio together, after talking for hours about the ebbs and flows of the music industry, and even more so, the ebbs and flows of simply just existing. we shared in a lot of the same pain, question marks, internal battles around decision making, relationships, and feeling like sometimes even when you thought you put the whole puzzle together, when you take a step back, a few pieces might still be lost somewhere in the ether. 

Lost is the first of what i hope to be many collaborations with Jagwar Twin, as two artists aiming to push the boundaries of what it means to exist at the intersection of digital and physical, tradition and innovation, storytelling and experimentation. but most importantly, as two people taking leaps of faith in the world with no set expectations. 

hold on tight to this one ;)

_________________________________________________________________

Jagwar Twin: Much of the world feels lost right now. The shifting human landscape can be difficult to navigate as we are bombarded with external influences. All these external influences are pointing each of us to something in ourselves that we seem to have lost or forgotten. Annika and I are both navigating this new digital landscape and so it's no surprise that this song was birthed from it. I think in many ways we are all coming to grips with the reality that what seems black or white is usually neither, and simultaneously, both.

BREAD is a song co-written by Charm Taylor , Miles Ryan Harris, and Sara Phillips. Thanks to Ashton Woods (@VibeHaus) for an amazing production palette. Miles Ryan Harris engineered this mix masterfully. Grateful for our Future Surf Radio community for bringing us together this year. Here's to all the creators signed to themselves, choosing creator sovereignty, and investing in the new ways. We see your artistic value and we always will. 

✕Tribute to Avril15NFT✕


Digital painting
3500*3500

After seeing Marshall Law’s takedown of the anarchists on live TV, Thomas’ newly found faith is badly shaken… but he still wants to try.

A jackbooted police force dressed in full riot gear breaks up the mayhem at the nightclub, in a Nine Inch Nails-inspired industrial romp that explores police brutality and authoritarian overreach. Marshall Law beams in over the TV screen (in homage to 1984 the film)-- forceful, triumphant and giddy with power.

On a sunny day in the park, Maggie and her church group evangelize the Good Word of the Gospel and warn of the coming end times. This song captures the playbook driving modern evangelical Christianity, typified by a focus on the end of the world, the need to accept Jesus or else risk the eternal fires of damnation, and the directive to tell as many others as possible.

tonyparisi.eth

$1,153.31

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