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KA is the third Episode in RŌHKI Season 1.

It’s a tale of self discovery. An inquiry into a mind that never dies.

If you’re new to RŌHKI - welcome.

We’ve been quietly sharing our journey the only way we know how - music.

There’s two of us behind RŌHKI - IO and Hachi.

We’re excited to join Sound to tell our story.

KA lives both here and on rohki.xyz.

See you inside.

KA #28

this is my song hall pass. i wrote this because I wanted to capture the feeling of self-sabotage. i’ve always had this fear that when something is going too well i’m just waiting for it to fall apart. it’s almost a form of protection and being okay with someone leaving before you get hurt, which is why i loved the title hall pass, it’s giving someone an out.

the process of making this song was very natural, it started with a poem i read about fear and how it manifests in different ways. after reading that poem, the lyrics and melodies started to flow, and it all came together quite naturally :)

 this is a special one, i hope it resonates with you all in some way !

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"STAY FOR YOU" is about that person that makes you stick around regardless of where you are or what you're doing.

Owning this Badge indicates that the user has received an $AAVE airdrop. Using this badge, you can prove ownership and claim your share of the AAVE Networks airdrop. For more information: https://www.aavenetwork.com

The "Welcome to Nashville" anthem. Countrify ya life by adding this one to your Music NFT collection.

Produced by: Sam Martinez x Sammy Arriaga
Written by: Sammy Arriaga, Tim Riehm & Sam Martinez
Mix: Sam Martinez
Mastering: Nathan Dantzler (The Hitlab)

sammyarriaga.xyz

my 1st collab with reo and the 1st song ever minted on top of a blocktone. i couldnt have imagined something like this in my time but here we are. 

Gino, Stolar and Reo hit me up right around art basel with the idea to have a writing camp in miami where we could write fire songs to blocktones beats. i wanted to make sure that whatever we did, the music was right and we were pushing web3 forward. 

we had so much fun on this one. first, the beat was epic, and getting to make something right off a blocktone that reo owned - that we could do whatever we wanted with - was one of those moments where i really felt the magic of web3. 

the studio in miami was iconic also so the whole thing was inspiring as fxck. reo bodied the track of course. this is def one of my favorite collabs ive ever done. its a blessing to get to work with amazing people and live this life everyday. 


Free Love is my attempt to (sonically) open up the hearts of the world. it’s a “love bomb” if you will.  we aren’t just captives to the power that be.  Art, especially music, is extremely powerful and should be treated as so. 

The song has little to do with the original meaning of the phrase, or just me saying “go fuck everybody.”  it’s an invitation to feel the ever present frequency of love. i’ve been feeling the need to remind myself and others that love reigns supreme - we often get comfortable with the ill ways of the world and accept them. 

while working on this song, I was around a bunch of older musician guys (well vetted producers/session players known well in the la music scene). They talked about the hippy/60s era - which kind of turned to shit.  and they loved the track but were saying “free love man? we’ve tried that”. I wanted to repurpose the phrase and bring new context (instead of people rolling around in mud).  

The world is in a dark place with human rights, threats of war, confusion, etc. to me it could use a dose of positive energy.  

enjoy Free Lizzy.

Who are Beachcrimes? We’re a duo from LA and we spent the last year making songs in hotel rooms around the world. Beachcrimes is the soundtrack to that adventure.
 
We made a lot of songs, and we’re excited to share them. All of them. This year we’re releasing 24 songs in 48 weeks. If we’re being real, it’s actually two albums – there’s AM and there’s PM. AM is the lite stuff, PM is the nite stuff. Think of it like the Summer Olympics and Winter Olympics, but for dance music.

"Summer" is our 9th release this year, paying homage to the dance music legend Calvin Harris and his hit song that has soundtracked our summers for a decade. We thought it needed a true PM version. Deep melodic techno? Don’t mind if we do.

Next single will be out 2 weeks from today, and the following single 2 weeks after that.

i wrote ‘going to california’ when i was feeling a bit trapped in london, so i started to romanticize escaping to a different place. i was originally born in california and i’ve always wondered how my life would look if i grew up there. i’ve kept it as a place in my mind i could escape to, which is what i wanted to say in this song. i really hope you can relate to it in someway!

My ex kept sending me his Postmates orders to my house "by accident". I kept asking him to change the address and number, but eventually I just made this song.  


You love to talk, but you don’t listen. This is one of the tracks that early on started to shape the upcoming, now completed project.  I was looking for a bridge between hip hop and live instrumentation, and also reggae?, and also Beatles-inspired grooves, and also something lighthearted that you could dance to.  Listen was the result.  I think music is a melting pot more than ever and I hope when people listen to my music they can references dozens of influences because that’s essentially how these songs are made.  But at the end of the day, the song feels like me.  If it didnt, we wouldn’t be here releasing it. 

Listen is track 4 off the new project, which I haven’t officially announced to the public.  But it is coming in December.  The project is a journey, almost feels like a road trip, reminiscent of a kerouac novel - but tinted by the strange, modern, polluted times we are in now.   

I remember playing this record after previewing Young Fel 2 to my label at the time.  We had just finished playing a lot of the darker records off of YF2 and some of the label heads had stepped out to take calls, and finish their business.  I continued playing unreleased records of mine and Listen was the first one I played after the album.  It lit up the room.  It felt like the light at the end of the tunnel and I remember my friend Clay (who did the artwork for this nft as well as all the upcoming ones), giving me this look of…shit, well when is that one dropping?  It didn’t fit on Young Fel 2 but I knew it’d find its place.  To me, its home is on this upcoming project.  Hope you all enjoy and thank you for listening and supporting.

love
fel

Audiovisual pairings: Singles #1

STVDIO NOUVEAU is one of the earliest web3 native music projects. We originally formed in spring 2020 to experiment with tokenizing music and multimedia art. Almost all of our work is audiovisual in some form. 

Our Sound.xyz debut, “Vapors” is the first track in our new “Singles” series, featuring stand alone tracks that are paired with a visual.

The collector of the golden egg will receive a separate bonus 3D object NFT of the sculpture featured in the image for this piece. Most of our pieces have associated sculpture NFTs.

Own The Sound is excited to announce our first curated Music NFTs drop - ‘Beachcrimes - Own The Mixtape’. This vibrant mixtape showcases some of the best music and talent web3 has to offer.

The tracklist for this mixtape was crowdsourced, and Beachcrimes mixed it into a unique and eclectic listening experience:

Beachcrimes - NVM (0:00)
Vaarwell - Sellout (0:16)
Pauline Herr & LNRZ - Hold Me (0:18)
Edwin Honoret - How'd I Lose You (0:31)
Madalen Duke & Kevin George - Can't Stop (0:33)
Lincoln Jesser - Can't Help But To Think About You (0:40)
Lyrah & Reo Cragun - Head Above (0:47)
RŌHKI - Stars Won't Align (0:49)
Annika Rose - Lost (1:05)
Charlie Crown & Sara Phillips - Hurts (1:20)
Sammy Arriaga - METAGIRL (Remix) Feat. Nessy The Rilla (1:34)

Happy to be back

First song I made for 2023 top to bottom. (1/24-1/26)
Also the first one after fully recovering from my Ear ordeal.
Still have my hearing, but some loss in volume sensitivity. 
(Gotta stop blasting music)

Want to maintain a regular release schedule - Optimally Bi-Weekly,
If not monthly.
Nonetheless, I'm excited to share.

Wondered what it would be like to put some soul, pop & punk together with a lil' 1970s flavor..

It's a bit of a sad song, but against upbeat rhythm & soothing melodies..

It might feel like a love song to you, but tbh I wanted to write from the perspective of Adam, being kicked out the Garden of Eden.

I'm digging this flow of releasing, everything different than the last.., as I build in the traditional sense getting ready to tour. - Every drop on here should serve all the easter eggs I'll ever make.
"Life's a box of chocolates."

Hope you enjoy this

Emily Lazar is a multi-disciplinary artist fronting the rock/metal transmedia project, September Mourning. She made history as the first female metal/ hard rock musician to mint and sell an NFT on the blockchain. She has spoken about her accomplishments in Web 3/ NFT's at Harvard (2x), NFT.NYC and ETH Denver Conferences.

September Mourning is a transmedia project based on a comic book series she wrote and published through Image/Top Cow Comics with her business partner Marc Silvestri (Batman/Witchblade/Darkness). September Mourning is the title character. As a human reaper hybrid, she  gives expired souls a second chance at life in another body. In doing so, she messes with  the plans of the antagonist, Fate, who is trying to rid  earth of all the good souls and leave the bad so the world will self-destruct and It can start anew. An epic war between the living and the dead ensues. Emily plays the title character on stage.

Emily designed the world she and her band (Rich Juzwick, Kyle Mayer and Aaron Hoover) bring to life on stage, including costumes, choreography, sets, etc. The band has toured with & opened festivals for Rob Zombie, Marilyn Manson, Slipknot, Mudvayne and others across Europe and the United States.

The high energy hard rock anthem, “Personally” slaps you in the face with driving guitars, percussion and vocals fueled by rage. The lyrics mimic the anger September feels towards Fate in the story  but can very easily be relatable to any listener’s real life frustrations as well. 

Wes Henry brilliantly captures the energy and emotion of the song in his album artwork.

Album Art: Wes Henry
Song Credits: September Mourning Collective 

Who are Beachcrimes? We’re a duo from LA and we spent the last year making songs in hotel rooms around the world. Beachcrimes is the soundtrack to that adventure.
 
We made a lot of songs, and we’re excited to share them. All of them. This year we’re releasing 24 songs in 48 weeks. If we’re being real, it’s actually two albums – there’s AM and there’s PM. AM is the lite stuff, PM is the nite stuff. Think of it like the Summer Olympics and Winter Olympics, but for dance music.

“Love In Portofino” is the 6th gem in the crown of our 24-song opus, and the third single from our AM album. Crafted in the picturesque town of - you guessed it - Portofino, Italy, we couldn’t resist interpolating a classic Italian love song as we watched the sunset over the bay. We sampled the street sounds of the town and added it as ambience under the entire track (you can hear it clearly at the very end). We guarantee this will be your parents’ favorite Beachcrimes song. And it might just be ours too.

wolfcat.eth

$2,998.03

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