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[VALIDATED BY UREEQA](https://venusverse.ca/provenance) 
 
 Women of Venusverse Genesis Collection represents 2,022 beautiful women of various backgrounds across the world who have been brought together under one first-of-its-kind validated art collection. 
 
 The Women of Venusverse NFTs are subject to the [License Terms](https://static1.squarespace.com/static/61d88ca1f7647c39225f538f/t/624db2ebbef5652ad024de55/1649259246419/Venus+Verse%2C+NFTs+-+License+Terms%2849963359.1%29.docx.pdf) provided on [www.venusverse.ca](https://www.venusverse.ca). By purchasing this NFT, you agree to the [License Terms](https://static1.squarespace.com/static/61d88ca1f7647c39225f538f/t/624db2ebbef5652ad024de55/1649259246419/Venus+Verse%2C+NFTs+-+License+Terms%2849963359.1%29.docx.pdf).

Women of Venusverse #1458

Ugh, please refer to me as Merry Mulligans, and only that. My magician name is Larry David the diaphanous. Did we just become best friends?

Merry Mulligans

WOM20

Story of Isthar

There is no unity among the metakinds, so an assembly was formed and the neutral ones were subjected to certain tests. The Trials challenge the Metakinds even though they are very ancient beings. And some of them even get very hurt in these exams. Isthar is one of those injured in this exam.

He stands out among those who serve Naki and says that he wants to take this exam and that he wants to be an angris. After Isthar makes this breakthrough, all metakinds move away from that area. Because others have been candidates before and have faced the wrath of the ancient.

And the test begins for Isthar....while trying to experience the excitement of seeing an ancient, he suddenly meets his wrath. Isthar receives massive injuries to his head and under the chin. But these wounds do not hurt him.
During the battle, Isthar sees the ancient being powered by a stone. What Isthar sees is exactly an energy that barely shines in the shadows. Having trouble making a single move, Isthar gathers all his strength and strikes for the last time. Isthar, who managed to move the stone from its place, takes the energy of this stone into his body. If you look carefully, you will realize that its head is prickly and pointed. but it shines as bright as a diamond. This is the life source of Isthar. If Isthar had targeted the ancient instead of the stone, this story would not have been told today.

Instead of creating form, Isthar chooses to energize and empower Metakinds. And it takes the name Gem Maker. He fights ancient creatures and gives those stones to other Metakinds. Thus, they become beings of great power.

This is the real reason why metakinds shine and shine in such a divine way.

Keeper #8

OpenSea

Canadian Unicorns #155

Sicily, Siculo-Punic AR Tetradrachm. Entella, circa 345/38-320/15 BC. Head of Tanit-Persephone to left, wearing wreath of grain leaves, triple-pendant earring, and necklace; four dolphins around / Horse prancing to left, date palm in background. Jenkins, Punic -, cf. 141 (O46/R-; unlisted rev. die); Gulbenkian 365 (this obv. die); de Luynes 1434 (this obv. die); Boston MFA 489 (this obv. die); NAC 120, 325 (same dies); HGC 2, 283. 

Extremely Fine; wonderful old cabinet tone.

From a private German collection, formed c.1980-2020.

The enormously wealthy Carthaginian Republic, first and foremost a commercial thalassocracy, made no use of coined money until the invasion of Sicily in 410 BC brought their armies into a direct confrontation, only for the second time after an earlier conflict in 480 BC, with the great city states of Greek Sicily. Not before then had Carthage experienced the necessity of striking coins, which we must assume arose from the requirement to pay the army which included many Italian and Greek mercenaries. That the techniques and inspiration for the earliest Siculo-Punic coins were Greek (and particularly Syracusan) in origin is obvious from the employment of a head of Tanit closely resembling Arethusa, and the style of the engraving that cannot but have been the work of Greek artists, at least initially.

While the casual observer might be forgiven for mistaking the obverse of the present type for a Syracusan issue, the reverse is characteristically Carthaginian in iconography. The horse is commonly believed to allude to the foundation myth of Carthage mentioned by Virgil (Aeneid I, 442ff) and later Justin (Epitome of Pompeius Trogus, 18.5), wherein a horse's head was discovered in the ground at the foundation of the city and was interpreted as an omen of the future city's prosperity and military power. Alternative interpretations of this symbol have also been proposed, such as that the horse is a symbol of Baal Hammon, chief god of Carthage and probably associated with warfare and the sun (a theory supported by the depiction on later coins of the horse in conjunction with a solar disc), or that the horse is a more general reference to the military purpose of the coinage.

Unambiguous however is the use of the date palm, called 'phoinix' by the Greeks. Because this economically important fruit-tree was abundant along the southern Levantine coast, the Greeks already in the time of Homer had come to know the region as Phoenicia ("Land of the Date Palm"). Thus the date palm came to be synonymous with Carthage itself, the greatest of all the Phoenician states. It is unclear what term the Carthaginians used to refer to themselves, however the appropriation of this exonym was evidently considered expedient to visually identify the issuing authority of this coinage to its intended recipients.

(No physical coin included - image collectible only)

CryptoCoin #1017 (Digital Art) Sicily, Siculo-Punic AR Tetradrachm. 

Cleopatra and Marc Antony AR Denarius. Uncertain Eastern mint, autumn 34 BC. CLEOPATRAE•[REGINAE•REGVM]•FILIORVM•REGVM, diademed and draped bust of Cleopatra right; at point of bust, prow right / ANTONI•ARMENIA•DEVICTA, bare head of Marc Antony right; Armenian tiara to left. Crawford 543/1; Antonia 95; Sydenham 1210; CRI 345. 

Good Extremely Fine. Two bold, well-struck portraits. Very Rare.

Issued in the wake of the successful campaign against Armenia in early-mid 34 BC, this type proudly commemorates the victory with the legend 'Armenia Devicta' (Armenia vanquished).

In the execution of his war on Parthia in early 36 BC, Antony had followed the advice of the Armenian king Artavasdes to invade Parthia not from the West (which would have been the shortest route) but from the North, subduing the Parthian allied kingdom of Media Atropatene along the way, whose king was (conveniently) an enemy of Artavasdes. At the fortified town of Phraaspa however, the attack foundered and Artavasdes abandoned Antony in the face of the enemy, allowing his logistics train and two legions to be massacred in an ambush. Following a failed two-month siege of Phraaspa, Antony was forced to call off the campaign and effect a fighting retreat back to friendly territory, in the course of which no fewer than eighteen battles were fought. Antony arrived back in Syria by late 36 BC, having lost about 40% (some 80,000 men) of his original force.

In early 34 BC, after variously attempting to lure Artavasdes out to meet with him to discuss marriage proposals and renewed war on Parthia, pleasant inducements and entreaties through the king's companions, and then a forced march to the capital Artaxata and what Cassius Dio describes as 'aggressive use of his soldiers', eventually Antony convinced Artavasdes to come to his camp, where the king was promptly arrested. Antony proceeded to plunder the country as best he could, and returned to Alexandria with his captives: King Artavasdes, his wife, and his family. There he celebrated a mock Roman triumph – an eastern pastiche of Rome's most important military ceremony – wherein Antony paraded through the streets in a chariot with his captives walking behind him. Cleopatra watched, seated high above with Caesarion at her side. As a grand finale, the whole city was summoned to the gymnasium to bear witness to a political statement which became known as the Donations of Alexandria. Antony and Cleopatra, dressed as Dionysus-Osiris and Isis-Aphrodite, sat on golden thrones while Antony distributed kingdoms among his children by Cleopatra: Alexander Helios was named king of Armenia, Media and Parthia, his twin Selene was awarded Cyrenaica and Libya, and the young Ptolemy Philadelphus was given Syria and Cilicia. Cleopatra was proclaimed Queen of Kings, a title evidenced on the obverse of this coin type, which also names 'her Children, who are kings'. Most damaging of all to his relations with Octavian was the naming of Caesarion as a legitimate son and heir of Julius Caesar. This caused a fatal rupture of Antony's relations with Octavian, and Rome. When the triumvirate officially expired on the last day of 33 BC it was not renewed, and the Roman world again found itself at war.

(No physical coin included - image collectible only)

CryptoCoin #1020 (Digital Art) Cleopatra and Marc Antony AR Denarius. 

Canadian Unicorns #61

venusventures.eth

These Owlz are a HOOT! 3,000 Barn Owlz taking flight on the Ethereum blockchain.

1116

Julius Caesar AR Denarius. Military mint moving with Caesar, 48-47 BC. Diademed female head right, wearing oak-wreath, cruciform earring, and pearl necklace; IIT (Caesar's age) behind / Gallic trophy holding oval shield and carnyx above bearded captive (Vercingetorix?) seated to right on ground with hands tied behind back, wearing neck torque; CAE-SAR across field. Crawford 452/4; CRI 12; Alföldi pl. CXLII, 49/10 (this coin); BMCRR Rome 3959; RSC 19a. 

Near Extremely Fine; beautiful old cabinet tone. Extremely Rare, and among the finest known specimens.

This coin published in A. Alföldi, Caesar in 44 v CHR (Bonn, 1974), noted as being in the possession of Mario Ratto.

With the help of his political allies, Caesar had succeeded in making himself the governor of Cisalpine Gaul and Illyricum, with Transalpine Gaul later added, giving him command of four legions. The term of this governorship, and therefore his immunity from prosecution, was set at an extraordinary five years, instead of the usual one. Deeply in debt, Caesar wasted little time in taking advantage of the unstable situation in Gaul to expand his territory through conquest, and thicken his holdings with plunder.

What eventually became known as Caesar's Gallic campaign was initially a piecemeal affair, but within six years he had expanded Roman rule over the whole of Gaul. Following years of relative success, mainly thanks to the disconnected nature of the tribes allowing him to take them on separately, he was faced with the chief of the Arverni tribe, Vercingetorix, who too late had built a confederation to stand against Caesar. In 52 BC, despite formidable resistance, Caesar finally defeated Vercingetorix at the Battle (or Siege) of Alesia. This illegal war which by Caesar's own account had left a million dead, was instrumental in elevating him to a position of supreme power among the statesmen of the late Republic, making him incredibly wealthy through war booty, and also making him dangerously popular with the plebs.

Struck in the course of Caesar's war against the Senatorial faction led by Pompey and later Metellus Scipio, Caesar's triumphant coinage trumpets his military achievements and conquest in Gaul, while reminding the bearer also of his claimed descent from Venus through Aeneas. The reverse figure tied below the trophy of arms is popularly believed to depict the defeated Vercingetorix. Although Crawford and Sear are sceptical of this identification, it has often been said that the carefully rendered details of the figure, from the prominent brow and sunken eyes to the torque around his neck are highly suggestive of an individualised portrait. In 48/7 BC the defeated Gallic chieftain still languished in the Tullianum, the underground prison beneath the Comitium. He would be hauled out for Caesar's triumph in 46, then returned to his cell and strangled.

This type is an early example of what would become a standard representation on Roman imperial coinage of a defeated captive seated on the ground beneath or beside a trophy of arms, a type proclaiming conquest that was used to great effect by Vespasian and Titus following their victorious campaign­ in Judaea.

In order to consolidate his power when he returned, Caesar produced triumphant coinage to spread news of his military capability. The reverse of this coin is popularly believed to depict Vercingetorix himself. Although Crawford and Sear are sceptical of this identification, it has often been said that the carefully rendered details of the figure, from the prominent brow and sunken eyes to the torque around his neck are highly suggestive of an individualised portrait. This is an early example of what would become a tradition on coinage of portraying a defeated captive sitting on the ground, submissive to the might of the Romans.

CryptoCoin #1023 (Digital Art) Julius Caesar AR Denarius. 

phoenicianmuseum.eth

rahifhraiki.eth

vvecosystemincubator.eth

Canadian Unicorns #53

“Not everything that is faced can be changed, but nothing can be changed until it is faced.” Detail of a forgotten relic, broken off from the source and lost from memory. Featuring original sound and visual design by The Weeknd & Strangeloop Studios.

Artifact 001 #1219/1749

Exoplanet #2430 is a unique Exoplanet from The 4001 Project.  
This token is a collectible that lives on the Ethereum blockchain.

Exoplanet #2430

Exoplanet #3154 is a unique Exoplanet from The 4001 Project.  
This token is a collectible that lives on the Ethereum blockchain.

Exoplanet #3154

This algorithm features a generative pattern created after subtracting two small numbers using the sum to place circles. All colors, positions, and color patterns are based off Ethereum blockchain data.

Star Flower #352

Art Blocks

I LOST MY MIND.I am terrified by this dark thing, that sleeps in my mind. But i still found a way to sew broken end that never ends, or may have never began, all i do is to lose myself in the shadows that have left behind. It's seems to me that today my forest is dark, trees are sad and butterflies have broken wings.

Photo was shot on  foggy morning. As I was shooting the headless man photo series from last year project. I got the idea of using that tree in the background to get something different. also I got lucky to have that bird in the frame. 

PS : No photoshop involves. 

Artist : Adnan_Dani

License 
License: Primary NFT holder is free to use in advertising, display privately and in groups, including virtual galleries, documentaries, and essays by holder of the NFT, as long as creator is credited. Provides no rights to create commercial merchandise, commercial distribution, or derivative works. Copyright remains with creator.

I LOST MY MIND 

vvincubator.eth

avilahraiki.eth

phoeniciangallery.eth

BONN PARK MEDIA 

Waterloo Ontario Canada Digital Storytellers

Bonn Park enters the world of Web3 with the help of Artist Esther Sanchez. 

Marshall Ward and Sara Geidlinger celebrate 150 episodes of their award winning podcast with a new NFT collection! Sanchez created these neon phosphorescent jellyfish to illustrate Bonn Park Media diving into the world of Web3. They began as pen and ink drawings that were photographed and brought to life with colour and texture in photoshop. Sanchez is also the creator of the Bonn Park logo so this collaboration went swimmingly. 

Support digital storytelling and be the first to know about early Bonn Park content.

Bonn Park Jellies Purple

Meta Island represent a collection of 3’434 unique islands categorized by level of rarity and generated with hundreds of elements.

META ISLAND #1468

christopherchalouhi.eth

chrischalouhi.eth

FUCKW*R #172/1000

AO ArtBall exists at the intersection of sport and innovation, a membership that unlocks a new arena to keep fans in the game – on and off the court.

Membership is accessible via the AO ArtBall, a collection of 6776 NFTs from the AO22 collection and 2454 NFTs from AO23 collection, providing holders with an unprecedented level of tickets from premier tennis, sport, and entertainment events as well as unique rewards from leading web3 projects covering both real life event and virtual worlds.

Each ArtBall is linked to a ~17 x 17cm plot on the AO court. If the winning shot from any of the ~400 AO matches lands on that plot, the ArtBall is updated in near real-time to highlight the match information. Winning balls are also upgraded to feature icons and holographic stickers on the ball casing, signifying their winning status.

Own the ball, Own the court, Own the moment.

AO Art Ball #4363

FUCKW*R #173/1000

drstevechalouhi.eth

Women of Venusverse #664

chloechalouhi.eth

astartesjewelry.eth

An Incredibly Happy Hummingbird generated with the assistance of AI 

Happy Hummingbird 285

womenonthemove.eth

Canadian Unicorns #289

he Lord Society is a collection of 7777 Lords NFTs living in the Ethereum blockchain. Each piece is a unique 3D artwork with a collection of more than 150+ traits. The objective is to build the strongest community and project around NFTs.

Lord Society3508

THE WATCHER SHOWS HIS SCARS

Fishbowl Heads is a collection of 1500 super cute Fish themed digital Avatar NFT collectibles, swimming on the Ethereum blockchain.

wilfridlaurieruniversity.eth, an ENS name.

quantumvalleyinvestments.eth, an ENS name.

Galactic Secret Agency is a collection of 10.000 unique Alien Agents. They're lurking, watching and influencing humanity for centuries. Each Alien is unique, generated from over 170 hand drawn assets. Holding one of the agent grant you access to future members-only benefits. Visit our website to learn more about GSA. https://www.GalacticSecretAgency.com

womenonthemove.eth

$42.29

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