Generative audiovisual art where all metadata is stored and rendered onchain.

This !fundrop pass is a non-transferable NFT that allows the holder to participate in !fundrop and get !fun rewards for minting NFTs. Mint your own !fundrop pass at https://mint.fun/fundrop.

SPOTLIGHT WK 7

Following SATELLITES, we dropped a free sample pack with Kits.io and urged the community to hit us with their best remixes/beats. Sara Phillips' submission was one that instantly swept us off our feet. The tender vocals take front and center in this track, supported by bits and pieces of production off the Satellites project. 

Here's some words of wisdom from the artist herself:

"dan·cing noun the activity of dancing for pleasure or in order to entertain others."

Join LNRZ HQ here: https://guild.xyz/lnrz-hq

Visit our website: https://lnrz.xyz/  

cooked this beat last year with bloody white and then laid some verses with lack last week.

go to jon and vinny's and get the spicy fusilli 

SAGEALINA is a singer/songwriter located in Los Angeles, CA and originally from Cape Cod Massachusetts. Pop-queen, Latina flare or the dark black sheep - she embodies all of these layers through her music. SAGEALINA will be giving her fans a preview of where she is taking her career by dropping NFTs of unreleased records that unlock exclusive experiences and behind the scenes content.
 
This music NFT - "ENEMIES" is a song that represents the ongoing abuse and suffering that women endure all over the world. The lyrics from the song were inspired from a dream SAGEALINA had, and chose to process by making music. “ENEMIES” will be a single off her debut album “PAIN OF A WOMAN” coming next year, which her NFT holders will get to access first. SAGEALINA is now determined to spread awareness and advocacy towards some of the biggest issues we face in the world by using her platform.


Today is Trans Day of Visibility 2023. i am a trans man so therefore i would like to participate. this is CENTIPEDE, a lil interlude that i started in 2022 around the summertime (first vocal track was recorded June 29th, 2022). the song was originally written with the beat and a topline, few lyrics except for "centipede and the butterflies" freestyled and the story came later. it was originally about the duality of life and a motivating song to keep pushing forward and the universe is a reflection of your internal world. it still is but as time has progressed it shifted from being a message to my nephews and niece to my internal struggle with fitting into society and being accepted as a trans person. so i felt it was right to be visible, take up space, and be myself.

Chapter titles:
1. Follow Me
2. want u 2 stay
3. Fever Dream
4. Ambush
5. Since I Found You
6. Find Your Way Home

Written, recorded, produced and mixed by Kate Ellwanger.
Production collaboration with Tsu Nami on "want u 2 stay."
Mastered by Tim Biesta.
Artwork by Risik.

"Bounce" is the first single from my next full-length album, and I'm so excited to be sharing it exclusively with the sound.xyz community before its release on DSPs. 

our first album in four years comes out later this week and we're so excited we decided to share one more taste of it with you all...

why can't we just pretend, for a moment, that we're in a crowded sweaty venue in a post-Covid world...glittering chandeliers hang from the ceilings...audience members are dressed to the 9s...you're with your favorite people in the world...and the band plays this song.

you're invited is our first Sound release with a feature, and it's only right that it's from Steve Davit, our esteemed saxophonist. if you've ever seen us live, you know his impact. Steve went to middle school and high school with us and has toured with us since the very beginning. His energy is a vital component of the Marian Hill cocktail and quite frankly he is simply the saxiest man in town. 

we love the energy of this song and we hope you will too. thank you for spending some of your day appreciating it. we are so grateful to each and every one of you.

yours,

MH







a strange kind of love song.

Made by two artists who met in the wild world of web3

we have entered the garden ⛩️ 💽

probably yuki & bobu comes from the mind of SireDontPlay, azuki’s favorite hawaiian-chinese rapper

恭喜发财 // HAPPY CHINESE NEW YEAR  


This is song 2 from CACOPHONY, a new project from Reo Cragun and myself. CACOPHONY is a beautiful explosion. Deafeningly loud and chaotic and intimate at the same time. 

FROM REO:
The jig is up is honestly about reading through the facade and people’s BS. 

The road of an independent artist can be extremely difficult at first, but if you put in the work it can prove to be really rewarding. Fortunately now I’m in a position where I don’t have to jump at a major label deal anymore and have the means to comfortably support myself. Oddly enough it’s at that point when a lot of people come knocking to partner. 

We were really just having fun with this record and reflecting on the level we’ve gotten to based off hard work and staying consistent.

FROM CLEAR EYES:

Having fun was so key with this one. Reo and I make a lot of heavy shit together (like the first single from CACOPHONY, HEAVEN) but it’s important to balance that with music that makes you feel good, makes you feel powerful. We love Kevin George’s energy and adding a feature just added to the excellent vibes.

The "Welcome to Nashville" anthem. Countrify ya life by adding this one to your Music NFT collection.

Produced by: Sam Martinez x Sammy Arriaga
Written by: Sammy Arriaga, Tim Riehm & Sam Martinez
Mix: Sam Martinez
Mastering: Nathan Dantzler (The Hitlab)

sammyarriaga.xyz

my 1st collab with reo and the 1st song ever minted on top of a blocktone. i couldnt have imagined something like this in my time but here we are. 

Gino, Stolar and Reo hit me up right around art basel with the idea to have a writing camp in miami where we could write fire songs to blocktones beats. i wanted to make sure that whatever we did, the music was right and we were pushing web3 forward. 

we had so much fun on this one. first, the beat was epic, and getting to make something right off a blocktone that reo owned - that we could do whatever we wanted with - was one of those moments where i really felt the magic of web3. 

the studio in miami was iconic also so the whole thing was inspiring as fxck. reo bodied the track of course. this is def one of my favorite collabs ive ever done. its a blessing to get to work with amazing people and live this life everyday. 


Free Love is my attempt to (sonically) open up the hearts of the world. it’s a “love bomb” if you will.  we aren’t just captives to the power that be.  Art, especially music, is extremely powerful and should be treated as so. 

The song has little to do with the original meaning of the phrase, or just me saying “go fuck everybody.”  it’s an invitation to feel the ever present frequency of love. i’ve been feeling the need to remind myself and others that love reigns supreme - we often get comfortable with the ill ways of the world and accept them. 

while working on this song, I was around a bunch of older musician guys (well vetted producers/session players known well in the la music scene). They talked about the hippy/60s era - which kind of turned to shit.  and they loved the track but were saying “free love man? we’ve tried that”. I wanted to repurpose the phrase and bring new context (instead of people rolling around in mud).  

The world is in a dark place with human rights, threats of war, confusion, etc. to me it could use a dose of positive energy.  

enjoy Free Lizzy.

21951.eth

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