6,720 x 2,800 pixels
Canon EOS 5D mkiv
Canon EF 24-105mm f/4L IS II USM
1/320 sec, f/9, ISO 100

Image by: David Lennard

Full resolution 16-bit TIFF format in ProPhoto colorspace provided to buyer.

The Paria River cuts a path through red Navajo sandstone as it heads south to join the Colorado River at the birthplace of the Grand Canyon.

Archeologists believe that Paria Canyon was used as a trading and travel route by Indigenous Americans for 10,000 years or so before the first Europeans arrived in the region in 1770s. 

The Anasazi were known to live here from 200 A.D. - 1200 A.D. and were known to have farmed some stretches of the canyon. The last group of Indigenous Americans to utilize the canyon were the Paiute.

The Paria provides spectacular scenery, and is known for the narrow slot canyons that it cuts through the layered rocks of the Colorado Plateau. This rugged and remote landscape is also home to many species of raptors, including the California condor, and bighorn sheep.

In celebration of our 300th space, we're excited to announce the launch of a new token. This token will serve as the key to unlocking many future drops and rewards. We've been working hard to reach this milestone and are thrilled to be able to share it with our community. The launch of this token not only marks a significant achievement for us, but it also opens up new possibilities for our community to engage and participate. We look forward to the future and the many exciting developments to come.

Spatial Complexity №.10

Spatial complexity serves as a formal exploration of spatial variety, intersections, and documentation as interpreted by modern computational understanding through a dialogue between human and machine.

6656x6656 | PNG | Machine learning collaboration with cmplx c. 2022

A commemorative 3D asset given to the SCRNRZ community to be used within the OnCyber Diamond Gallery (or any OnCyber gallery). 

oncyber.io/destinations/diamondgallery001

On import into any gallery, the model will need to be reoriented. This model has been used purposfully to provide an accurate NFT preview on any marketplace. 

created by @c_mplx  
for SCRNRZ_NFT

c.2023

When place is what we remember // 
Boundaries become familiar //  
Stability is void //  
Abstraction is tangible // 
---  
Spatial abstraction as flâneur map  
Drawing inspired by the Barcelona Pavilion built by Ludwig Mies van der Rohe c. 1929  
---  
Original artwork by c_mplx c. 2023

FREE Gourds

By Heather N. Stout  
digital photography  
2022  
Edition of 69  


Heliotropic

By Heather N. Stout  
digital photography  
CO, USA, 2022

“The world is full of magic things, patiently waiting for our senses to grow sharper.”  
- W.B. Yeats

SUMO DOHYO, a limited-edition series exploring the intricate link between identity and performative arenas. These fleeting pictures feature captivating moments of SUMO wrestlers in the DOHYO by freezing time and immortalizing the performances.

The profile pictures tie in with the idea of post-identity in the digital era - experiencing the wrestler's spirit and embodying the virtues of resilience and determination.

NO RIGHTS RESERVED. SUMO DOHYO are licensed CC0 — ‘Creative Commons 0’. You are welcome to download any DOHYO artwork and are free to build upon, enhance and reuse the works for any purposes without restriction under copyright or database law. This applies to all individual pieces; it does not apply to collaborations within the SUMO DOHYO series.

→ Only 160 different NFTs SUMO interpretations will be available. Supply of each SUMO: 1/1, plus 24 PFP editions, excluding cooperations. Each SUMO interpretation is different from the others and this makes each of them unique.

→ For more info check out the official website: https://peternitsch.com/nfts/sumo

License - Extended Editorial

Rights Usage terms:  
Private Display / Personal Non-Commercial Use. The Rights Usage includes unlimited use to display in IRL physical or VIRTUAL galleries, by the NFT holder. No rights for commercial use, distribution, or derivative works allowed.

Observing the fluctuations of the mind, we find we are continuously oscillating from past experience to future expectation, never really here. Missing out on life in the here & now. The mindless quality of total involvement, introspection of the mundane, not the grand, we begin to witness the truth.

Inspired by the works of Eckhart Tolle & Sri Nisargadatta Maharaj, bringing awareness to those daily actions too often taken for granted, for it is how we live within the confines of the abode where we witness the truth of character. Another inspiration is the work of Carl Jung, and his ’Second Personality’ theory…

Through this state of nowness we begin to witness the duality of the self, the observed & the observer, both residing in what we deem to be the self. Where all becomes one. It is through this realisation, we see our minds always distracted, rushing from one thought to the next. By slowing down we are able to increase the space between 2 thoughts as we begin to transcend into the subconscious, allowing this to become conscious. Freeing ourselves from banks of pleasure & pain, allowing the river of life to flow freely…

———  
Shot in collaboration with Magali Lehners & Alexandra Colombo, Jivamukti Yoga Luxembourg.  
———

Landing in Ulaanbaatar, Mongolia, I felt a welcoming like never before, a sense of space and purpose. A visceral feeling, the awareness that my soul had returned. 

I see now, it was me - time for myself, cut off from the outside world, with no wifi, no phone reception and no electricity I was able just to be. My mind didn’t wander, didn’t falter - I was present. With this omnipresence, I felt that deep connection to the environment, witnessing the sunset realising the futility of mans need to force and change. 

——

Waiting to board the Trans Mongolian Express, I asked if I could take a portrait of the driver, wandering to the front of the train I asked and gestured. He seemed to be very obliging, so I singled for him to come down as I set up next to the train. Instead, he ushered me up to the locomotive, I couldn’t believe my luck, I shot a couple of frames, and then we departed. I rode the first hour on the Trans Mongolian Express up front with the driver… 

8862 X 7090 px

Man raising hands as crow sits on the bench

Transmission / A photography based digital artwork by dubhz0.

Will the transmission allow you to obtain the signal through the noise?

Private Display / Personal Non-Commercial Use only. The Rights Usage includes unlimited use to display in IRL physical or VIRTURAL galleries, by the NFT holder. No rights for commercial use, distribution, or derivative works is allowed.

The Last of the Behrupia (Impersonator) 

A gaudy exposition of visual excesses, employing shock and awe in an entertainment form that pre-dates broadcast.  
Behrupias or Impersonators, are a dying vocation that once drew large crowds through vivid projections of demons, animals and mythical creatures drawn from a deeply personal interpretation of popular fiction.  
This typology of portraits preserves this wonderful and awe-inspiring art-form in all its glory and detail.

BEHRUPIA have never been captured in a portrait setting.

agyaat.eth

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