We live and we die, our atoms never disappearing just changing form over and over - into the dust under our feet.

Our palaces of stone will not protect us from our death or our bodies decay.  Us mammals covered in hair that rail against our aging, our inevitable death and yet all that came before is already dust and we will go to meet those atoms soon enough.

I once made a ceramic pot and returned it to the wild to be washed away by the rain - a friend said to me “I wonder if that clay will ever remember it was a pot” 

Just dust and hair.

The First Historic NFT Fest brings together the creators, innovators, builders and thinkers – the instigators who started it all – for in-depth conversations about the value, historical significance, and contributions of early NFTs. Explore and celebrate the earliest NFT achievements from inception to 2019 with the people that made them happen at the Reial Cercle Artistic, a historic landmark in the Gothic Quarter of Barcelona, October 28-30, 2022.

Proof of Attendance Token for participating in the Token Engineering Academy course "Introduction to Token Engineering" on July 20 & 21, 2020.

This badge is an immutable proof that you have supported artists by collecting art on SuperRare in 2021 or earlier.

This badge is a creation by artist Ryan Koopmans.



Original graphic for a limited edition skateboard series by Marko Zubak. This was a second MLIBTY Shadows graphic for skateboard and series was made in 2016, in edition of 12/12 boards, 8.25” and 8.5”,  with hard rock American maple. Some boards were skated, while some finished in private collections.  
“MLIBTY” stands for “My Life Is Better Than Yours”, which was taken from one of the artist's projects from 2009, that deals with free distribution of artworks, in the form of paper toys ( http://markozubak.com/mlibty).
MLIBTY Shadows represent people in general, but also shadows behind the curtains, invisible inhabitants you never meet, but you feel their presence. Sometimes they are watching you, sometimes they smile, black and white, no hands and no legs, shadows with faces.
More about the whole project here: https://www.patreon.com/mlibty

VIVO DESIDERIO – which means “living desire” in Italian – expresses the vibrance, magic, physicality, and ever-changing emotions we experience when falling in love.

This piece is a special time-limited open-mint gift to the community, hand-assembled by the artists and specially animated, released on 23 December and closing on 31 December 2023.

POEM: i see you see me seeing you  
ELEMENT: Artery  
SEED: Seed Two  
TATTOO: Canopy  
DESIDERIO: Snake  
DESIDERIO AUMENTATO: Augmented Snake  
SKIN & BONES: Lapis  
SURFACE: Seaglass  
DEPTH: Ruby

Little designs that happen along the way to other
things.

El Festival Matanzas Jazz  rinde especial tributo al antecedente afro como uno de los 
elementos comunes al jazz y a la música cubana.
La rumba es un género de música tradicional que se originó en Cuba durante el siglo XIX. De raíces africanas, la rumba cubana es considerada la madre de numerosos ritmos y bailes latinos, como la salsa, y tiene derivaciones en diversos países de América.


Dedicatoria: Para mi primera coleccionista de arte digital "Bea", gracias por permitir que mis creaciones sean parte de tu vida. 

Jorge Félix es uno de los nuevos talentos del saxofón en Cuba. Primer lugar en la modalidad de Interpretación Menor de los Premio JoJazz. Es de esos talentos que no deja de brillar.
El saxofón es uno de los instrumentos más característicos de una banda de jazz. Sin embargo, hasta bien entrados los años 20, el saxo no se logró situar en las formaciones del género, puesto que estas estaban formadas por la sección de vientos: trompeta,  trombón y  clarinete. Al principio tenía muy poca presencia, como por ejemplo Sidney Betchet con el saxo soprano o el gran Franquie Trumbauer con el saxo melódico en do. A partir de los  cambios que los estilos de Chicago y Nueva York introdujeron en el jazz, (y que acabaron conduciendo a la aparición del Swing), el saxofón comienza a ocupar un lugar predominante en el jazz.  

Dedicatoria: Para mi primera coleccionista de arte digital "Bea", gracias por permitir que mis creaciones sean parte de tu vida.

Los instrumentos de viento o aerófonos son una familia de instrumentos musicales los cuales producen el sonido por la vibración del contenido de aire en su interior, sin necesidad de cuerdas o membranas porque solo requiere de la vibración del aire. Los aerófonos de metal producen un sonido de timbre fuerte.
Muchos de los más grandes solistas de jazz han sido trompetistas (Miles Davis, Louis Armstrong…) Clases de trompetas: Trompeta corriente: afinada en do o en si bemol (la trompeta en si bemol suena un tono más grave que en do). Su tubo es de un metro de largo y tiene tres pistones y su extensión cromática es de dos octavas y una sexta mayor. Trompeta de varas (trompeta sib o trombón soprano). Su tonalidad es si bemol. Tiene un registro igual que la trompeta tradicional pero de ejecución más lenta. Trompeta piccolo (trompeta barrroca). Afinada en la o en si bemol. Tiene cuatro pistones (hay modelos de tres). La más pequeña de todas las trompetas. Sueña una octava más aguda que el resto de las trompetas y alcanza fácilmente el registro sobreagudo. Trompeta baja. Afinada en do o en si bemol. Su tubo es más largo que el de la trompeta corriente y suena una octava más grave que esta. Trompeta pocket (versión en miniatura de la trompeta corriente). Ocupa menos espacio porque tiene más curvas que una trompeta corriente; las curvas hacen que el sonido se vaya volviendo más seco.


Dedicatoria: Para mi primera coleccionista de arte digital "Bea", gracias por permitir que mis creaciones sean parte de tu vida.

Owning this Package indicates that the user has received Blur airdrops. Our first step is airdropping Care Packages to everyone who’s continued trading NFTs these last 6 months. Our goal is to make Blur a marketplace that the entire NFT community owns and profits from. Using the Blur Airdrop Package NFT, you can prove ownership and claim airdrops. For more information, visit https://www.blurpool.com

'The Moon Boy' is an artwork drawn by Carlos Márquez on dada.art on 2015-11-29. This token is a wrapped version of a modified ERC20 standard token with an edition of 150 and is a piece from the '2017 ERC20 Creeps' collection. The 2019 vintage Creeps & Weirdos upgraded the collection to the ERC721 standard and their original supply was halved. This collection, together with the 2017 ERC20 Creeps form the complete Creeps & Weirdos and serve as evidence that DADA was present as a pioneer, participant, and thought leader throughout the history of rare digital art.

'The Catacombs East (Crypt-O-Bones)' is an artwork drawn by Sebastián García on dada.art on 2016-05-22. This token is a wrapped version of a modified ERC20 standard token with an edition of 200 and is a piece from the '2017 ERC20 Creeps' collection. The 2019 vintage Creeps & Weirdos upgraded the collection to the ERC721 standard and their original supply was halved. This collection, together with the 2017 ERC20 Creeps form the complete Creeps & Weirdos and serve as evidence that DADA was present as a pioneer, participant, and thought leader throughout the history of rare digital art.

'Coach Cósmico' is an artwork drawn by Hernán Cacciatore on dada.art on 2016-06-25. This token is a wrapped version of a modified ERC20 standard token with an edition of 200 and is a piece from the '2017 ERC20 Creeps' collection. The 2019 vintage Creeps & Weirdos upgraded the collection to the ERC721 standard and their original supply was halved. This collection, together with the 2017 ERC20 Creeps form the complete Creeps & Weirdos and serve as evidence that DADA was present as a pioneer, participant, and thought leader throughout the history of rare digital art.

'The Scream' is an artwork drawn by Norma Xelda Jara on dada.art on 2017-02-13. This token is a wrapped version of a modified ERC20 standard token with an edition of 200 and is a piece from the '2017 ERC20 Creeps' collection. The 2019 vintage Creeps & Weirdos upgraded the collection to the ERC721 standard and their original supply was halved. This collection, together with the 2017 ERC20 Creeps form the complete Creeps & Weirdos and serve as evidence that DADA was present as a pioneer, participant, and thought leader throughout the history of rare digital art.

bea.eth

Explore profiles

Company

Learn

Individuals

Businesses

Developers

Support