Digital sketch from 2012. The first 10/10 edition on this contract.

coming soon 2023...  
edition /80  
silkscreen handmade in London  
anonymous and fully on-chain burn to claim 'Ermis' protocol from FLR. 
+ more

A self-portrait ten months in the making, Night Vision Series is a meditation of hundreds of hours of nose to paper. Using ink and white-out to generate hallucinatory vistas, Jake Fried repeatedly modifies and records his images to create mind-bending animations. 1,440 1/1 pieces.

[View Film Here](https://aoi.com/projects/night-visions)

Dour Darcels are a collection of 88 moody frens from the world of Darcel Disappoints. Pre-minted items are locked and can be converted into official for free. Visit [Website](https://dourdarcels.link) and get tradable ones.

Dusk sparked havoc.
High beams on.

--

Digital painting

Creeping in the shadows; built from old scrap; held together by shapeshifters.

Staring out, he looks for friends.

He likes you.

--

Digital painting

Access this 0xPhone at: https://0xphone.eth.limo/#/1014

The text installation in the room on the wall is the physical manifestation of the ephemeral and immaterial work TRIBUTE TO GUY in the so-called IRL. The work itself consists of the sentence A PICTURE OF A DOLLAR SAVED AS JPG ON THE BITCOIN BLOCKCHAIN, written in Arial Bold font. It is immortalized ON-CHAIN on the Ethereum Blockchain and can be traded as an [1-of-1 NFT](https://etherscan.io/nft/0xd25ea44f5fe01a1a2a96b38b6c5fdc6231134d11/2).

A PICTURE OF TRIBUTE TO GUY IRL is, as the name already suggests, an image of the manifestation of the digital original. The definition may seem academic and subtle, but it is of great importance in understanding the essence of the logic of the blockchain and its role in the world, because through this logic THAT WHAT IS is codified as an immutable state in cyberspace, out of this immutably defined states there then reality is derived.

The [1-of-1 NFT (TRIBUTE TO GUY)](https://opensea.io/de-DE/assets/ethereum/0xd25ea44f5fe01a1a2a96b38b6c5fdc6231134d11/2) will soon be available for sale in connection with a [limited edition titled "A TRIBUTE TO GUY WTF?!"](https://app.manifold.xyz/c/A-TRIBUTE-TO-GUY-WTF) The price of the 1-of-1 as well as the edition are linked and dependent on each other. This revolves around the game-theoretical exploration of the value of art on the blockchain. 

Stay tuned and be part of the new art project by the exceptional conceptual artist FLORIAN KUHLMANN.

Created by:  
[Florian Kuhlmann](https://floriankuhlmann.com) 
Powered by: 
[Flux Collective](https://fluxcollective.io) 
Installed at: 
[NEONREAL Gallery](https://neonreal-gallery.com/)

LOG-DSTNC → [EMOTIONS RUNNING HIGH] - 8000 X 6000 PX

ABOUT - lathe-cut acetate dubplate 10inch record, gold leaf, acrylic medium, paint gak pile, painted ping pong ball, acrylic paints, artists fingerprints. 10279 x 15479 pixels - 85 x 122 cm - 33 x 48 inches @ 350dpi. 1/1 NFT + fine-art giclee print on Hahnemühle cotton rag - signed and titled by the artist. ABOUT 'THE PORTRAIT AUTOMATIC' SERIES - A collection of deconstructed, gravity-defying portrait sculptures - built from traditional fine-art materials and found objects collected from the streets of London, UK. Each artwork is composed and assembled directly onto my A3 scanner and captured in a single exposure in other-worldly macroscopic detail and incredible resolution. Once captured, the composition is broken down - and so exists only momentarily IRL before traversing eternally into the machine ether… Inspired conceptually in part by Metzger’s "Machine, Auto-Creative and Auto-Destructive Art" (1960s) as well as Jean Tinguely ‘Métamatic’ artworks (1950’s). NECESSITY IS THE MOTHER OF INVENTION OR MY HISTORY WITH THE MACHINES - I began working with scanners in 2001 (aged 15), at school there was an Epson in the computer lab and so (working opportunistically so as to remain unseen by the IT teacher; who would no doubt feel my actions as a terrible abuse of his nice, clean scanner :) I began to place dried plants, flowers, leaves and so on directly onto the scanner glass and make artworks… I discovered that images made in this way had a distinct depth and look to them - a sense of weightlessness, of floating and the ethereal… I had discovered ‘Scanography’ in my own way. The digital cameras available at the time were crap - 1 megapixel and prohibitively expensive. The scanner, in contrast, was relatively affordable at a fraction of the cost and capable of capturing imagery in far better resolution and detail. I had a job working weekends and holidays doing the washing up in a busy pub near to my mothers house. This income allowed me to save up enough £dosh to purchase my own cheap Epson A4 scanner. I could now produce my first significant series of artworks - ‘Pauses’ in the year 2002 - these works were shared on my website www.karborn.com and gained me some attention ‘on the web’ in the early 2000’s and so it all began… I was in. TODAY - The time feels right to reprise these artworks and present them as a coherent collection - the culmination of many years working with my scanner and my first significant body of fine-art masterpieces, perhaps I will build some more heads soon too… Thank you. K 

#weworkedwithwildideasusingmachinesinwaystheywerenotdesignedtobeusedandatfirstweworkedfornothingbutnowwecanworkforabetterlifeandmakearttoexistsincerelywelcometotheundergroundeternalkkaarrbboorrnnlondonandonandonandonand…

KARBORN 2001 - 2022. 

ABOUT - sheets of glass, light refracted from the projector over glass, gas vapours, printed paper, acrylic paints, iron wire, gold paint, gaffa tape, the artists fingerprints. The artwork is captured in two, single exposures as a stop-motion animation. high res files will also be supplied - 19519 x 27519 pixels - 160 X 218 cm - 63 X 86 inches @ 350dpi. 1/1 NFT + fine-art giclee print on Hahnemühle cotton rag - signed and titled by the artist. ABOUT 'PORTRAIT AUTOMATIC' SERIES - A collection of deconstructed portrait sculptures - built from traditional fine-art materials and found objects collected from the streets of London, UK. Each artwork is composed and assembled directly onto my A3 scanner and captured in a single exposure in other-worldly macroscopic detail and remarkable resolution. Once captured the composition is broken down - and so exists only momentarily IRL before traversing eternally into the machine ether… Inspired conceptually in part by Metzger’s "Machine, Auto-Creative and Auto-Destructive Art" (1960s) as well as Jean Tinguely ‘Métamatic’ artworks (1950’s). NECESSITY IS THE MOTHER OF INVENTION - OR - MY HISTORY WITH THE MACHINES ... I began working with scanners in 2001 (aged 15), at school there was an Epson in the computer lab and so (working opportunistically so as to remain unseen by the IT teacher; who would no doubt feel my actions as a terrible abuse of his nice, clean scanner :) I began to place dried plants, flowers, leaves and so on directly onto the scanner glass and make artworks… I discovered that images made in this way had a distinct depth and look to them - a sense of weightlessness, of floating and the ethereal… I had discovered ‘Scanography’ in my own way... The digital cameras available at the time were crap - 1 megapixel and prohibitively expensive. The scanner, in contrast, was relatively affordable at a fraction of the cost and capable of capturing imagery in far better resolution and detail (over 20,000 x 30,000 pixels!). I had a job working weekends and holidays doing the washing up in a busy pub near to my mothers house. This income allowed me to save up enough £dosh to purchase my own cheap Epson A4 scanner. I could now produce my first significant series of artworks - ‘Pauses’ in the year 2002 - these works were shared on my website www.karborn.com and earned me some standing in the early 2000’s, I was on my way... All the heads were built between 2013 - 2018 - The time now feels right to reprise these pieces and present them as a coherent collection - the culmination of many years working with my scanner and my first significant body of fine-artworks. hashtagweworkedwithwildideasusingmachinesinwaystheywerenotdesignedtobeusedandatfirstweworkedfornothingbutnowwecanworkforabetterlifeandmakearttoexistsincerelywelcometotheundergroundeternalkkaarrbboorrnnlondonandonandonandonand… KARBORN 2001 - 2022

'Emoji Drip' is an edition of NFTs available exclusively to early supporters of Christian Rex Van Minnen's Van Minion project. 'Emoji Drip' is being released in conjunction with the opening of Christian's exhibition 'Coniunctio' at Ross+Kramer Gallery in NYC in May 2022.

Holders of Series 1 and 2 Van Minion blanks can visit vanminion.fun to claim their 'Emoji Drip'.

The ElevenFiveFive ClrBmb series are the little brother editions of the CΞlllR collection. They precede the OneOne collection in moment of creation. They are the precursors, born of the process that led to OneOne.

The DeepBlue ClrBmbs are friendship pieces and each one started their life on-chain in the wallet of someone who's been pivotal in the development of shpshftd's identity on the blockchain.

The Official Core Pass for Season 2 of SHILLR Media

The Core Pass NFT grants holders:

- Private Discord channels  
- Early access to podcast episodes 
- Burn-to-redeems: Core Passes for art  
- Holder event at Art Basel Miami  
- Ability to submit artwork for the SHILLR Mobile Gallery at Art Basel Miami

karborn.eth

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